A fast, sweet, cram course in the blues. And it does so in an extremely coherent, vital and entertaining fashion.
Lightning in a Bottle (2004)
Tomatometer
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Reviews Counted:60
Fresh:52
Rotten:8
Average Rating:7.4/10
Consensus: Lightning in a Bottle pays dazzling tribute to the blues by capturing its power and excitement through backstage interviews and performance footage.
Rated: PG-13 [See Full Rating] for brief strong language
Runtime: 1 hr 48 mins
Genre: Musical & Performing Arts
Theatrical Release:Oct 22, 2004 Limited
Box Office: $78,031
Synopsis: A slice of musical history was created on February 7th, 2003, when a dazzling array of blues artists gathered at New York City's Radio City Music Hall. With luminaries such as B.B. King, Solomon... A slice of musical history was created on February 7th, 2003, when a dazzling array of blues artists gathered at New York City's Radio City Music Hall. With luminaries such as B.B. King, Solomon Burke, Ruth Brown, Mavis Staples, Buddy Guy, and Dr. John among the lineup, this was always destined to be a night to remember. But the organizers were savvy enough to up the ante even further by integrating a comprehensive--albeit by their own admission, incomplete--history of the genre into the evening's festivities. Director Antoine Fuqua (KING ARTHUR) was there with a full crew to record the event, capturing moments of magic both on stage and behind the scenes for LIGHTNING IN A BOTTLE. Fuqua also splices in some of the archival footage that the organizers showed on the night, including many of the Radio City artists performing and speaking at a much younger age. The influence of the blues over popular music is vast, and so performers such as Aerosmith, Chuck D from Public Enemy, and David Johansen are brought on stage to vie with their counterparts from a more traditional strain of the genre. Poignant moments come thick and fast, with many of the musicians reminiscing about the old times, and realizing that this would probably be the last occasion on which they were all gathered in the same room. An inspiring historical document, Fuqua's film captures a dying breed of artists, but also points to their lasting legacy and influence which will indefinitely loom large over the music scene. [More]
Starring: B.B. King, Solomon Burke, Mavis Staples, Aerosmith
Starring: B.B. King, Solomon Burke, Mavis Staples, Aerosmith, Robert Cray, Ruth Brown, Dr. John, Buddy Guy
Director: Antoine Fuqua
Director: Antoine Fuqua
Producer: Margaret Bodde, Alex Gibney
Studio: Sony Pictures Classics
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Reviews for Lightning in a Bottle
This 'blues' film devotes more time to the music of Jimi Hendrix than to that of Robert Johnson or Muddy Waters...
The musicians uncorked that bottle, sending lightning all over Radio City Music Hall. Thanks to Scorsese and Fuqua, we can all catch some bolts.
If you know the blues, you've heard it all before. And if you don't, the film, after a promising step-by-step primer opening, won't help you.
Some of the blues performances here are rousingly hot and could make believers out of the staunchest classical music snob.
For all the talk of the form's indomitable spirit, the picture that emerges is of a cultural artifact in desperate need of preservation.
Gets its great groove from the humor and dignity of the true blues musicians it documents.
The lack of history in this sometimes musically breathtaking film is disappointing and perplexing.
Lightning in a Bottle's magical concert performances make it a must-see movie for all who crave vibrant music, impassioned vocals and biting instrumental solos that jab and slice with surgical precision.
If the movie seems at times a little thin in its chronology and scholarship, it more than makes up for that in the quality of performances that ranges from the cool fire of Angelique Kidjo to the hot smoke of B.B. King.
Any movie with Ruth Brown, Bonnie Raitt, Mavis Staples and Aaron Neville (with his brothers) for openers can't be all bad.
There is some serious 'lightning' during the performances and story telling by the blues elders, not to mention the new worthy crop.
Comes alive with the more relaxed performances from its senior set -- men and women in their late sixties through to their late eighties -- performing the music they've lived and breathed their whole lives.
Though many of the performers aren't, or arguably aren't, blues artists (but rather soul, R and B, or even folk artists)...a cheap seat for a fun-filled, big-ticket event.
The massive stage at Radio City Music Hall doesn't lend itself easily to the intimate particulars of the blues.
This is the sort of concert film made for high-end home theatre experiences.
Often seems like an overproduced variety show -- albeit one that can't help but burst its show-bizzy bonds into roaring paroxysms of pure musical emotion.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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