Beyond its pleasures as a good piece of storytelling, Head-On also provides some interesting commentary on the clash between different cultures.
Head-On (2005)
Tomatometer
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Reviews Counted:79
Fresh:71
Rotten:8
Average Rating:7.3/10
Consensus: A raw, provocative drama about star-crossed love and the lives of immigrants caught between the traditional and modern.
Theatrical Release:Jan 21, 2005 Limited
Synopsis: Fatih Akin's HEAD-ON (GEGEN DIE WAND) is a powerful film about sexuality and suicide, centering on two Turks living in Germany. Drunken loser Cahit (Birol Unel) drives his car into a wall; Sibel... Fatih Akin's HEAD-ON (GEGEN DIE WAND) is a powerful film about sexuality and suicide, centering on two Turks living in Germany. Drunken loser Cahit (Birol Unel) drives his car into a wall; Sibel (Sibel Kekilli) slashes her wrists because she can't stand living with her traditional Muslim family. The two meet in the hospital and decide to join in a marriage of convenience in which he can get himself a cute young housekeeper and she can finally move away from home. They live together in Hamburg, where she begins to sleep around dangerously and he grows surprisingly jealous, leading to tragedy. Set to a soundtrack of 1980s music (Depeche Mode, Talk Talk, Sisters of Mercy), their lives continue to fall apart, lost to a world of lies and deception, drugs and violence, and emotional pain. Filmed on location in Germany and Turkey, HEAD-ON is an intense look at two lost souls who can't stand life as they know it. They spend a lot of time in clubs, trying to drink and dance away their troubles, but they seem doomed to constant failure and unhappiness. Unel and Kekilli are shockingly realistic in the lead roles, adding to the overall poignancy of the harsh and disturbing film. There is a large Turkish contingent living in Germany, many of whom came over in the 20th century seeking employment; in HEAD-ON, Akin delves into the resultant changing cultures with deep insight in this moving drama. [More]
Starring: Birol Unel, Sibel Kekilli, Catrin Striebeck, Guven Kyrac
Starring: Birol Unel, Sibel Kekilli, Catrin Striebeck, Guven Kyrac, Meltem Cumbul, Cem Akin, Aysel Iscan, Demir Gokgol, Stefan Gebelhoff
Director: Fatih Akin
Director: Fatih Akin
Screenwriter: Fatih Akin
Producer: Stefan Schubert, Ralph Schwingel
Studio: Strand Releasing
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Reviews for Head-On
Thoroughly astonishing in its twists and turns, its brutality and its angry sex, it makes the Romeo-Juliet, East-meets-West romances of our increasingly tribalized world seem more facile than ever.
Probably the first reaction is to resist, but that would be a mistake. Head-On is one powerful film.
Sporadically powerful, sensitively acted and full of music, used with imagination and flair.
Any sense of predictability is extinguished by these two thoroughly engaging actors. Despite their less-than-saintly behavior, you won't be able to take your eyes off either.
Head-On is not for the faint of heart, with its depressive magnetism to bloody violence...[a] twisted, rough-hewn mad-love story.
Not easy to watch, the characters are all strongly abrasive, and yet we are emotionally gripped.
Love doesn't just hurt in the jagged German romance Head-On; it cuts and bleeds and even kills.
The movie starts with a mild contrivance and then allows life to tear through its seams, sabotaging its characters and us.
The story builds which such force that the fate of these unlikely heroes truly matters.
Their performances are the heart of a film that is an often comic and raucous look at mismatched personalities, cultural dissonance, and the tender and tentative sense of optimism that keeps all of us alive for another day.
... Well and fearlessly acted, and the writer-director (Fatih Akin) is determined to follow her story to a logical and believable conclusion, rather than letting everyone off the hook with a conventional ending.
Head-On doesn't sound like a lot of fun, but it keeps you on edge, laughing nervously, appalled and, against all odds, entertained.
This downbeat, multi-culti drama about two suicidal Turkish-Germans who find each other before finding themselves was a huge hit in its native Germany.
A riveting love story that never flinches from the unsettling reality of a specific social issue or the universal joys that two people can bring to each other's lives, no matter how hard they try to bring agony to their own.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
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