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Head-On (2005)
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Reviews Counted:79
Fresh:71
Rotten:8
Average Rating:7.3/10
Consensus: A raw, provocative drama about star-crossed love and the lives of immigrants caught between the traditional and modern.
Theatrical Release:Jan 21, 2005 Limited
Synopsis: Fatih Akin's HEAD-ON (GEGEN DIE WAND) is a powerful film about sexuality and suicide, centering on two Turks living in Germany. Drunken loser Cahit (Birol Unel) drives his car into a wall; Sibel... Fatih Akin's HEAD-ON (GEGEN DIE WAND) is a powerful film about sexuality and suicide, centering on two Turks living in Germany. Drunken loser Cahit (Birol Unel) drives his car into a wall; Sibel (Sibel Kekilli) slashes her wrists because she can't stand living with her traditional Muslim family. The two meet in the hospital and decide to join in a marriage of convenience in which he can get himself a cute young housekeeper and she can finally move away from home. They live together in Hamburg, where she begins to sleep around dangerously and he grows surprisingly jealous, leading to tragedy. Set to a soundtrack of 1980s music (Depeche Mode, Talk Talk, Sisters of Mercy), their lives continue to fall apart, lost to a world of lies and deception, drugs and violence, and emotional pain. Filmed on location in Germany and Turkey, HEAD-ON is an intense look at two lost souls who can't stand life as they know it. They spend a lot of time in clubs, trying to drink and dance away their troubles, but they seem doomed to constant failure and unhappiness. Unel and Kekilli are shockingly realistic in the lead roles, adding to the overall poignancy of the harsh and disturbing film. There is a large Turkish contingent living in Germany, many of whom came over in the 20th century seeking employment; in HEAD-ON, Akin delves into the resultant changing cultures with deep insight in this moving drama. [More]
Starring: Birol Unel, Sibel Kekilli, Catrin Striebeck, Guven Kyrac
Starring: Birol Unel, Sibel Kekilli, Catrin Striebeck, Guven Kyrac, Meltem Cumbul, Cem Akin, Aysel Iscan, Demir Gokgol, Stefan Gebelhoff
Director: Fatih Akin
Director: Fatih Akin
Screenwriter: Fatih Akin
Producer: Stefan Schubert, Ralph Schwingel
Studio: Strand Releasing
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Reviews for Head-On
...[peppered] with a variety of needlessly self-conscious touches that serve only to distract the viewer from the sporadically intriguing storyline...
A gloomy fairy-tale version of a Hollywood romantic film that barely gets past its gloomy outlook on life.
Like the film’s alterna-pop soundtrack and pop cultural references, Head-On is self-consciously badass.
A weepy romance is one thing, but Head-On is too sober to be weepy, not romantic enough to achieve any real emotional connection.
Like pornography for the eternally depressed, Head-On is absorbing, yet far from appealing.
In an odd spin on the immigration story, rootless Cahit and Sibel are ultimately too complex for the fiction that holds them.
Head-On may or may not be an accurate reflection of the immigrant experience in Hamburg. I only know that this dingy film didn't make me care.
It's disturbing, sometimes fascinating, but ultimately not very illuminating.
In short, this is a fractured romance about screwups who finally luck into getting it right. And it's also a parable about identity crises for a generation of people who've grown up with one foot in the Old World and one in the New. Either way, it works.
The most honestly electrifying film I’ve seen in years, Fatih Akin’s thundering character piece completely captures the joy, fear, and self-loathing of bottoming out.
They might be marginal, they might misfits, but we actually care about those two crazy kids.
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