Were there more meat on the bones of this fable about hypocrisy and spiritual hollowness, [director] Marsh's pacing might seem deliberate rather then merely slow.
The King (2006)
Tomatometer
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Reviews Counted:76
Fresh:42
Rotten:34
Average Rating:6/10
Consensus: This disturbing film about the past coming back demanding its due evokes classical tragedy, but is ultimately too heavy-handed.
Theatrical Release:May 19, 2006 Limited
Box Office: $157,875
Synopsis: Gael Garcia Bernal (THE MOTORCYCLE DIARIES) may posses the rugged good looks of a classic screen star but he continues to dodge Hollywood, instead choosing to follow his own idiosyncratic path with... Gael Garcia Bernal (THE MOTORCYCLE DIARIES) may posses the rugged good looks of a classic screen star but he continues to dodge Hollywood, instead choosing to follow his own idiosyncratic path with movies like THE KING. Bernal stars as Elvis Valderez, a recently discharged Navy recruit who travels to Corpus Christi, Texas, to track down the father he's never met. But when he finds him, Elvis is in for a shock; his father, David Sandow (William Hurt, who surely based his performance on the all-too-real John Mark Byers from PARADISE LOST), is the leader of a Baptist congregation in Corpus Christi, and has instilled strong Christian values in all of his family. David wants the rogue-like Elvis to steer clear of his flock, perhaps fearing that he'll reveal long-buried secrets about David's past. But when the ex-Navy man sees his father's daughter, 16-year-old Malerie (Pell James), he longs to form a romantic bond with her. Initially unaware that Malerie is his half-sister, Elvis continues to pursue her even when he discovers their family relationship, leading to smalltown tumult with plenty of unexpected twists in the plot. Despite having only one prior film to his name (the wonderfully gloomy documentary WISCONSIN DEATH TRIP) director James Marsh pulls some great performances from Bernal and Hurt, and beautifully captures the dazzling sunlit countryside of this small Texan outpost. Indeed, cinematographer Eigil Bryld--who also worked with Marsh on his previous film--plays a big part in setting the tone of the movie with his stark use of color, which is well matched by an accomplished script from Milo Addica (MONSTER'S BALL). [More]
Starring: Gael Garcia Bernal, William Hurt, Pell James, Paul Dano
Starring: Gael Garcia Bernal, William Hurt, Pell James, Paul Dano, Laura Harring
Director: James Marsh
Director: James Marsh
Studio: ThinkFilm
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Reviews for The King
The script's in version of the old story is too forced and self-consciously shocking to really connect. It's all obvious iconoclastic effect.
There is no tragedy without character, yet the way The King drapes heavy situations around its feebly imagined personalities suggests a tire thrown around the neck of a poodle.
Surely among the darkest-themed movies ever made, British director James Marsh's The King is the jaw-dropping story of a born-again Christian facing the sins of his past in ways unimaginable.
It's too full of tired clichis to be the Night of the Hunter it wants to be, but it tries its best, and the top-notch performances from Bernal and Hurt carry the deadweight.
It's not a story easily shaken, however, or easily pigeonholed, inhabiting instead a bright and evil category all its own.
The director, James Marsh (who wrote the script with Milo Addica), is a genius at keeping both levels in focus -- the conventional thwarted romance on top, the unholy mythic horror show under the surface.
The movie grows mean-spirited and ugly instead of psychologically stimulating or emotionally sound.
Grim and dreary, this depressing drama seems to serve very little purpose...
Echoes the dread-soaked likes of In The Bedroom and The Virgin Suicides as an examination of the human heart as well as the divine one.
Arranges its easy targets like a gunman lining up beer cans to shoot.
This dark take on the prodigal son never picks up steam beyond initial exposition.
It's not until it's over that you fully appreciate how emotionally suspenseful it was.
You think the movie is going to be one thing, like maybe a family drama about forgiveness for past wrongs, but it totally heads off in directions you don't expect.
There's a distinct air of The Talented Mr Ripley about the morally complex Elvis and Bernal perfectly captures his charismatic yet sinister qualities.
Marsh takes a clever approach to a controversial idea, but he never makes it terribly engaging
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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