It's hard to think of another coming of age film, so dreamy and artfully photographed, that feels more like a horror movie.
Somersault (2006)
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Reviews Counted:63
Fresh:52
Rotten:11
Average Rating:6.9/10
Consensus: A poignant coming-of-age tale marked by a breakout lead performance from Abbie Cornish and a successful directorial debut from Cate Shortland.
Theatrical Release:Apr 21, 2006 Limited
Synopsis: Australian directors have always made fascinating and unique films in the coming-of-age genre, from Bruce Beresford's PUBERTY BLUES (1981) to John Duigan's FLIRTING (1991). Now, with SOMERSAULT,... Australian directors have always made fascinating and unique films in the coming-of-age genre, from Bruce Beresford's PUBERTY BLUES (1981) to John Duigan's FLIRTING (1991). Now, with SOMERSAULT, first-time director Cate Shortland has managed to make this well-trodden genre seem fresh once again, and in the process, introduced the world to Abbie Cornish, an actress of uncommon presence. Cornish is 16-year-old Heidi, who lives with her single mother, Nicole. After her mother walks in on Heidi kissing Nicole's boyfriend, the sexually precocious teen flees her troubled home for the Aussie ski town of Jindabyne, where young people drink to excess every night and deal with the ramifications of their intoxicated couplings the morning after. She manages to find a job at a local filling station, and lodging at a hotel run by motherly Irene (Lynette Curran)--but when she falls for wealthy farmhand Joe (Sam Worthington), she finds that her budding feminine wiles are no match for class differences, and will only create pain and confusion for her once again. Shortland paints Heidi's often painful journey in a palette of beautiful, melancholic blues, which are the perfect match for the spare, acoustic/electronic score by the Australian band Decoder Ring. SOMERSAULT's meditative pace is an effective choice for making us understand Heidi's loneliness. As Heidi, Abbie Cornish (who was 21 at the time of production and resembles a combination of Nicole Kidman and Maria Bello) perfectly captures the whirlwind of confusion and sexuality that Heidi hasn't yet learned to wield properly. Despite her poor choices, we are on her side--and it hurts to see her continuous missteps. Even though she is in a vacation spot, Heidi stays on the outside looking in--watching everyone else have the fun. [More]
Starring: Abbie Cornish, Sam Worthington, Lynette Curran, Erik Thomson
Starring: Abbie Cornish, Sam Worthington, Lynette Curran, Erik Thomson, Nathaniel Dean, Hollie Andrew, Olivia Pigeot
Director: Cate Shortland
Director: Cate Shortland
Screenwriter: Cate Shortland
Producer: Anthony Anderson
Composer: Decoder Ring
Studio: Magnolia Pictures
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Reviews for Somersault
...it contains several startling, brilliant moments that bring its emotional and visual content together with tremendous clarity and power.
It is pretty, and it stays just left of the dial of darlingness, and Cornish's is the most goddamn, gosh-wow debut I've seen in years.
The film occasionally succumbs to preciousness, but Cornish makes for an unusually complicated Lolita, as if her hormones were waging war with her heart.
Shortland balances showing Heidi as a heartbreaking mess -- doing a jailbait dance here, impulsively swallowing a mouthful of chili peppers there -- and judging her for it.
This visually haunting coming-of-age tale marks the individual stamp of yet another original Australian female director to watch.
A small film, done with limited resources, but it's impressive -- and so is Cornish.
Newcomer Abbie Cornish is a revelation of empathy and dramatic transparency in a role riddled with moral landmines.
Its central character, a 16-year-old who uses sex for intimacy, just might be the clue to the emotions that a great many teens go through.
[Cornish] creates a character who pulls us in and makes us recoil all at once.
Pretty slow and predictable, and filled with soap opera-like plot contrivances.
Director Cate Shortland has created a truthful, textured tale, exploring the subtlety and sensuality in all her scenes -- and never taking them exactly where expected.
It’s deliberately oblique, but the remarkable visuals and soundtrack will stay with you long after the 'so what?' plot is forgotten.
How a down-to-earth country like Australia grew so attached to the pretentious Somersault, I have no idea.
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