[A] fascinating portrait.
Touch the Sound (2006)
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Reviews Counted:18
Fresh:16
Rotten:2
Average Rating:7.2/10
Consensus: Not only does this documentary introduce viewers to Glennie, it gives them a taste of how she perceives the world.
Theatrical Release:Sep 7, 2005 Limited
Synopsis: In RIVERS AND TIDES, German documentarian Thomas Riedelsheimer explored the enchanting and hypnotic "nature" art-installations of Andy Goldsworthy. Now, with TOUCH THE SOUND, he turns his camera on... In RIVERS AND TIDES, German documentarian Thomas Riedelsheimer explored the enchanting and hypnotic "nature" art-installations of Andy Goldsworthy. Now, with TOUCH THE SOUND, he turns his camera on nearly deaf percussionist Evelyn Glennie, who experiences sound as a kind of touching or vibration. Using Glennie's unique musical sensibilities as a jumping-off point, Riedelsheimer introduces the viewer to an amazing sonic realm that we all know but rarely appreciate--a world of tapping, sputtering, clanging, rustling rhythms. The drone of a suitcase's wheels on concrete interrupted by the periodic zing of a zipper, the crackling of an icy pond, the echoic clang of metal scaffolding struck by Glennie's shoe--these sounds become, in Riedelsheimer's skilled hands, moments of revelation. Watching this film, viewers will feel like they are hearing the world for the first time. [More]
Director: Thomas Riedelsheimer
Director: Thomas Riedelsheimer
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Reviews for Touch the Sound
Touch the Sound is remarkable not only because of Glennie's story -- a clinically deaf Grammy-winning musician who has played with the world's great orchestras -- but for the way Riedelsheimer uses sound.
The movie makes an interesting addition to what could become Riedelsheimer's evolving and extraordinary gallery of movies that bring the creative process to life.
It will be frustrating if you expect narrative and linear development. But if you take it on as a new point of view, valuable even if you don't completely comprehend it yet, Touch the Sound is worth the trip.
Riedelsheimer gives the viewer not only Glennie's music, but her own experience of it.
[T]his is a film that leaves strong reverberations and a pleasant, sense-scrambled high.
Unfortunately, a good deal of Touch the Music is devoted to vacuous interviews with Glennie, who seems positively incapable of saying anything substantial.
Beautifully shot and filled with gorgeous music, but one of the most inspiring things about it is the way it erases the idea of Glennie's deafness as a handicap.
There is a maddening sense of dislocation through much of the movie -- a feeling that genuinely fascinating questions have been squeezed out by woo-woo philosophizing and material (like Glennie's brief return to the family farm) of only minor import.
A potent and imaginative creative biography of virtuoso percussionist Glennie.
This impressionistic documentary is a mystical exploration of the sensory world as experienced by a musician who lost most of her hearing as a teenager.
Educates in exhilarating ways, ways that are immediately applicable to how one lives one's life.
It's rare that a documentary conveys an artist's worldview so compellingly, but then Glennie is no ordinary musician.
Fans of the Grammy-winning musician will revel in the proximity to their idol, though second pic from talented helmer Thomas Riedelsheimer plays a tad long to those unfamiliar with his, or her, work.
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