It's rare that a documentary conveys an artist's worldview so compellingly, but then Glennie is no ordinary musician.
Touch the Sound (2006)
Tomatometer
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Reviews Counted:49
Fresh:43
Rotten:6
Average Rating:7.4/10
Consensus: Not only does this documentary introduce viewers to Glennie, it gives them a taste of how she perceives the world.
Theatrical Release:Sep 7, 2005 Limited
Synopsis: In RIVERS AND TIDES, German documentarian Thomas Riedelsheimer explored the enchanting and hypnotic "nature" art-installations of Andy Goldsworthy. Now, with TOUCH THE SOUND, he turns his camera on... In RIVERS AND TIDES, German documentarian Thomas Riedelsheimer explored the enchanting and hypnotic "nature" art-installations of Andy Goldsworthy. Now, with TOUCH THE SOUND, he turns his camera on nearly deaf percussionist Evelyn Glennie, who experiences sound as a kind of touching or vibration. Using Glennie's unique musical sensibilities as a jumping-off point, Riedelsheimer introduces the viewer to an amazing sonic realm that we all know but rarely appreciate--a world of tapping, sputtering, clanging, rustling rhythms. The drone of a suitcase's wheels on concrete interrupted by the periodic zing of a zipper, the crackling of an icy pond, the echoic clang of metal scaffolding struck by Glennie's shoe--these sounds become, in Riedelsheimer's skilled hands, moments of revelation. Watching this film, viewers will feel like they are hearing the world for the first time. [More]
Director: Thomas Riedelsheimer
Director: Thomas Riedelsheimer
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Reviews for Touch the Sound
Evelyn Glennie hosts a surrealistic ride through the waves of her preternatural percussion as she invites the audience to feel as they hear.
Fans of the Grammy-winning musician will revel in the proximity to their idol, though second pic from talented helmer Thomas Riedelsheimer plays a tad long to those unfamiliar with his, or her, work.
This concentration on the physical quality of sounds is a mesmerizing corroboration of Glennie's belief that tones, timbre, and tempo are in "everything we see."
Glennie's accomplishments in music are as unexpected and against all norms as are Lance Armstrong's in sports.
It's a cinematically masterful portrait even if its subject falls short of expectations.
The film is a paean to the variety of sound in our world, sound that we experience very differently from how Evelyn Glennie does.
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