A remarkable attempt to synthesize science and spirituality
Genesis - Where Are We Coming From? (2005)
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Reviews Counted: 18
Fresh: 15
Rotten:3
Average Rating: 7/10
Theatrical Release:May 27, 2005 Limited
Synopsis: Blending humor with seriousness, innocence with wisdom, an African griot uses the evocative language of myth and fable to relate the birth of the universe and the stars, the fiery beginnings of our... Blending humor with seriousness, innocence with wisdom, an African griot uses the evocative language of myth and fable to relate the birth of the universe and the stars, the fiery beginnings of our planet and the appearance of life on earth – but this is a true story, the story of all of us. He tells us of time, matter, birth, love and death. Animals are the main players in this flamboyant, modern, yet timeless Genesis. Six years in the making, here is the second opus from the writer/directors of Microcosmos. --© ThinkFilm [More]
Director: Claude Nuridsany, Marie Perennou
Director: Claude Nuridsany, Marie Perennou
Screenwriter: Claude Nuridsany, Marie Perennou
Producer: Alain Sarde
Composer: Bruno Coulais
Studio: ThinkFilm
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Reviews for Genesis - Where Are We Coming From?
The team of five credited cinematographers, which includes the directors, uses slow motion, time-lapse and extreme close-ups to provide fresh perspective on familiar sights and jaw-dropping footage of things you've never seen.
Because the images are so original and beautiful, Genesis is a movie you'll want to see on the big screen.
With quiet skill and some poetry, Nuridsany and Perennou -- who began as award-winning nature photographers and popular book writers -- give us a big peek into their infinite theme and subject.
Switch off the subtitles and you have 90 mins of convenient entertainment for the school holidays, though the kids would probably prefer to be taken to the aquarium or the zoo
Nuridsany and Pérennou have made another breathtaking feature penetrating the unseen kingdom around us.
Fascinating as these spiders and frogs must be to one another, a human being need not be put into such close proximity to their private dances.
An entrancing, technically ravishing blend of philosophy and science.
While the science sticks to the level of high school physics and biology, the combination of words and images is resonant and pleasing.
The images in their visual way match the poetry of the griot's language, and it's obvious much deep contemplation has gone into the film's narrative development.
Genesis is a creationist's nightmare -- a feature-length endorsement of evolution. But it does so in an inherently spiritual manner. At times, the life through a microscope plainly blurs the line between man and animal.
Offers the kind of eye-poppingly intimate footage of various critters evolving from the fetal stage or eating, strolling, fighting and courting that can only be obtained via infinite patience with special equipment in exotic locations.
Makes the shift from the world in a grain of sand to nothing less than a material history of the world.
Touches only on the very basics of Creation, but offers very pretty pictures.
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