Opening

91% Guardians of the Galaxy Aug 01
79% Get On Up Aug 01
88% Calvary Aug 01
0% Behaving Badly Aug 01
33% Child Of God Aug 01

Top Box Office

60% Lucy $43.9M
64% Hercules $29.8M
91% Dawn Of The Planet Of The Apes $16.8M
57% The Purge: Anarchy $10.5M
44% Planes: Fire And Rescue $9.5M
18% Sex Tape $6.1M
18% Transformers: Age of Extinction $4.7M
16% And So It Goes $4.6M
24% Tammy $3.5M
90% A Most Wanted Man $2.7M

Coming Soon

—— Teenage Mutant Ninja Turtles Aug 08
64% Step Up: All In Aug 08
—— Into The Storm Aug 08
—— The Hundred-Foot Journey Aug 08
87% What If Aug 08

The Killing

—— The Killing: Season 4

New Episodes Tonight

100% The Almighty Johnsons: Season 1
61% Crossbones: Season 1
82% Girl Meets World: Season 1

Discuss Last Night's Shows

100% Defiance: Season 2
40% Dominion: Season 1
41% Gang Related: Season 1
86% Maron: Season 2
56% Married: Season 1
94% Rectify: Season 2
—— Rookie Blue: Season 5
39% Rush: Season 1
82% Satisfaction: Season 1
85% Welcome to Sweden: Season 1
41% Working the Engels: Season 1
77% You're the Worst: Season 1

A Farewell To Arms Reviews


TIME Magazine
Top Critic IconTop Critic

What Hemingway wrote as an interlude of amorous flutes and distant drums, Producer David 0. Selznick has scored for brass.

Full Review Source: TIME Magazine

January 23, 2013
Philip Roth
The New Republic
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Perhaps what is most irritating about the film is that too many times an exciting scene of Hemingway's is shucked out in favor of a distressingly inferior one invented (if I may indulge the Muse a moment) by Ben Hecht, who is responsible for the script.

Full Review Source: The New Republic

January 23, 2013
Variety Staff
Variety
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Sweep and frankness alone don't make a great picture; and Farewell suffers from an overdose of both.

Full Review Source: Variety

March 26, 2009
Bosley Crowther
New York Times
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This film, for all its size and color, doesn't do much more by Hemingway's book than was done by the sentimental version of it played by Helen Hayes and Gary Cooper some twenty-five years ago.

Full Review Source: New York Times | Original Score: 2/5

March 25, 2006

Time Out
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A padded Ben Hecht script and Selznick's invariable tendency to overkill are equally to blame.

Full Review Source: Time Out

January 26, 2006
Dave Kehr
Chicago Reader
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The exaggerated production values overrun everything, including director Charles Vidor, who hardly seems to know which way to turn.

Full Review Source: Chicago Reader

January 15, 2005
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