holds the audience at an uncomfortable distance.
Daybreak (2005)
Tomatometer
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Reviews Counted: 19
Fresh: 10
Rotten:9
Average Rating: 5.5/10
Theatrical Release:Feb 2, 2005 Limited
Synopsis: Swedish director Björne Runge directs a splendid cast in this dark drama about the destructive nature of dishonesty and betrayal. Over a fateful 24-hour period in a dreary Swedish town, three... Swedish director Björne Runge directs a splendid cast in this dark drama about the destructive nature of dishonesty and betrayal. Over a fateful 24-hour period in a dreary Swedish town, three separate storylines unwind, united at times by loose connections among characters, and at other times, only by theme. Anita has been consumed by bitter rage ever since her husband left her three years earlier for a younger woman. A toxic presence to all those around her, Anita decides to take matters into her own hands, seeking revenge on her ex-husband and his new wife. Over the course of a dinner party with friends, Dr. Rickard and his wife watch their lives crumble around them, as new meaning is given to the word "betrayal." Anders is a workaholic bricklayer who doesn't understand the importance of spending time with his family until the bizarre requests of his newest clients force him to reconsider his priorities. Standout performances among the stellar cast include Ann Petren as Anita. Petren's face says it all, each line the physical manifestation of years of anger and betrayal. Eklund's performance as Dr. Rickard is equally interesting to watch in that it is unpredictable. Just when one expects him to burst, he offers up an incredible calm. In several scenes, he simply stands there stunned, completely unequipped to deal with the consequences of his own actions. His childish expressions form a clever contrast to his adult mistakes, reminding the audience of one of the film's central themes, which is that of growing old. Despite the gloom and pessimism that ravages each of his characters, Runge's well-written script suggests that there may ultimately be hope for redemption only after reaching the bottom. [More]
Starring: Pernilla August, Jacob Ecklund, Leif Andree, Marie Richardson
Starring: Pernilla August, Jacob Ecklund, Leif Andree, Marie Richardson, Ingvar Hirdwall, Ann Petren, Magnus Krepper, Markia Lindstrom, Sanna Krepper
Director: Bjorn Runge
Director: Bjorn Runge
Screenwriter: Bjorn Runge
Composer: Ulf Dageby
Studio: Newmarket Films
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Reviews for Daybreak
Has a lot to say about urban life, and it's beautifully filmed and acted. But it's so relentlessly miserable and serious that it's not easy to watch.
In short, fans of bleak Scandinavian drama are in for something of a treat.
Involving and sometimes comically bleak but never fully convincing as drama.
There is very little wrong here – the performances are uniformly strong – but there is very little to justify the time, either
There isn't enough Zoloft on earth to sop up the weeping and gnashing of teeth. But the performances are good.
Vituperation can be cleansing, but only in smaller doses than the ones offered up here.
We don’t really care about these people -- we just want someone to make them stop.
The movie is by turns darkly funny, grotesquely contentious and luminously familial.
The Swedes just about have a patent on unrelenting dissections of marital discord.
Always interesting in its execution, but disappointingly pat in its resolution.
Though Daybreak boasts a couple of minor insights and a compelling performance from Pernilla August, only the masochistically inclined will consider them sufficient reward.
A dark and provocative drama about the need to go to the very edge to find possible redemption.
There are some startling moments here, and the kind of darkly bitter comedy that mixes both sides of Sweden's moods.
The emotional climate of Bjorn Runge's harrowing drama, which eviscerates the rot of three middle-class marriages, is harsh enough to produce frostbite.
By the time the sun rises and these tormented parallel lives finally intersect, they've all achieved redemption -- as has the movie.
In this cluttered ensemble film, characters are no more than the modern dilemmas they represent: upper-middle-class alienation, the exhausting pursuit of cash and middle-class trappings, paranoia, pill popping.
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