Good comedy depends on surprise, and throughout The Matador I had no idea where the film was going.
The Matador (2005)
Tomatometer
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Reviews Counted:146
Fresh:110
Rotten:36
Average Rating:6.7/10
Consensus: This humorously amoral, oddball comic thriller features strong performances by Pierce Brosnan and Greg Kinnear as a flamboyant, aging hit-man and an out of work suburban businessman, respectively.
Runtime: 1 hr 37 mins
Genre: Comedies
Theatrical Release:Dec 30, 2005 Limited
Box Office: $12,449,517
Synopsis: Pierce Brosnan is outstanding as an international hit man falling apart at the seams in Richard Shepard's dark comedy THE MATADOR. Brosnan, riffing on his success playing the very well groomed and... Pierce Brosnan is outstanding as an international hit man falling apart at the seams in Richard Shepard's dark comedy THE MATADOR. Brosnan, riffing on his success playing the very well groomed and genteel James Bond and Remington Steele, stars as Julian Noble, a no-longer-noble hit man who spends his free time getting drunk and chasing impossibly young skirts. In Mexico he meets Danny Wright (Greg Kinnear), an average Joe trying to land an important business deal. Jealous of Danny's simple life, Julian becomes friends with the Denver suburbanite, who married his high school sweetheart, Bean (the very good Hope Davis), but lost his young son in a terrible accident. One day at a bullfight, Julian tells Danny what he does for a living, but Danny doesn't believe him--until Julian shows him an example of his expertise. But when Julian asks Danny to help him with his next assignment, Danny is dead-set against it, and ready to end their brief friendship. Little does he know that he has not seen the last of the rather unique hit man. Writer-director Shepard, whose previous work includes the indie films OXYGEN, MERCY, and THE LINGUINI INCIDENT, shows a deft hand for offbeat comedy in THE MATADOR, a very funny movie with a razor-sharp edge to it. Brosnan and Kinnear make a great duo, the latter the straight man to the former's reckless abandon. Shepard keeps the laughs coming with huge titles announcing the different locations as well as with a brilliant soundtrack featuring songs by Tom Jones and Asia in addition to the Jam, the Killers, and the Cramps--whose "Garbageman" anchors a hysterical scene involving Julian, a can of beer, a pair of Speedos, a hotel lobby, and a shark. [More]
Starring: Pierce Brosnan, Greg Kinnear, Hope Davis, Dylan Baker
Starring: Pierce Brosnan, Greg Kinnear, Hope Davis, Dylan Baker, Philip Baker Hall
Director: Richard Shepard, Bob Yari
Director: Richard Shepard
Screenwriter: Richard Shepard
Producer: Pierce Brosnan, Sean Furst, Mark Gordon, Brad Jenkel, Beau St. Clair
Director: Bob Yari
Composer: Rolfe Kent
Studio: Weinstein Company
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Reviews for The Matador
The Matador is admittedly a trifle in the long view of cinema, but it’s an amusingly adroit piece of work nonetheless.
The movie's writer-director, Richard Shepard, balances the macabre and the sentimental, and understands that although his film contains questions like 'don't successful people always live with blood on their hands?' its real subject is friendship.
A colorful, freewheeling tale that never gets beneath its darkly comic surface.
Brosnan struts through the movie practically sprinkling salt on the scenery.
May not manage a clean cinematic thrust, but Brosnan puts on a fine, flamboyant show to keep the crowd entertained.
The cinematography is consistently hipster handsome, the script is bracing in its lewdness, and Brosnan adds no unnecessary weight to Noble's meaninglessness.
The Matador gets a 151-proof tequila shot of sharp comedy from the droll byplay between Pierce Brosnan and Greg Kinnear.
Maybe Brosnan is so shockingly good in this film because Kinnear gives him the sounding board and safety net that the actor never had in his sadly solitary spy-flick duties.
Pierce Brosnan plays a gold-chain-wearing sleazeball in The Matador, a weightless, amoral romp about a professional hit man facing a midlife crisis.
The Matador feels like a cult gem that just might be able to target a larger audience weary of this season of self-important awards magnets.
Stepping into the role was a bold step by the retiring James Bond, and Brosnan's smooth fit comes as both a shock and a pleasure.
The Matador teeters between comedy and moral inquiry but doesn’t quite make it either way.
A hit man/buddy flick that has a heart? Not something I was expecting with this likable assassin-lite comedy that is both entertaining and darkly funny.
Strong chemistry between the often-underrated Pierce Brosnan and Greg Kinnear helps turn what might have been an inconsequential genre exercise into a breezy, unexpectedly sweet odd-couple comedy.
Now that hoopla surrounding the holiday blockbusters has peaked, audiences will have a better chance at not overlooking this poignant comic gem.
Julian speaks for the film when he says, 'I'm a wreck, I'm a parody.'
Brosnan enjoys one of his best parts in years and there is no mistaking his exuberance as he embraces the role.
For a much better attempt at this kind of storytelling, make a mental note to some day check out Israeli writer-director Eytan Fox’s Walk on Water.
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July 30, 2007:
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January 26, 2007:
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