Devil turns out to be too indulgent and worshipful a film to justify its length (one hour and 50 minutes, including an interminable section on Johnston in high school), much less hold our attention for the duration.
The Devil and Daniel Johnston (2006)
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Reviews Counted:102
Fresh:90
Rotten:12
Average Rating:7.5/10
Consensus: Whether you think this mentally ill cult musician is worthy of being called a "genius," this document of his life is crafted with sincere respect and is fascinating to watch.
Rated: PG-13 [See Full Rating] for thematic elements, drug content, and language including a sexual reference
Runtime: 1 hr 50 mins
Genre: Musical & Performing Arts
Theatrical Release:Mar 31, 2006 Limited
Synopsis: Although his appeal barely stretches beyond a small band of obsessives in the tight-knit indie-rock community, the turbulent career of singer-songwriter Daniel Johnston has had more highs and lows... Although his appeal barely stretches beyond a small band of obsessives in the tight-knit indie-rock community, the turbulent career of singer-songwriter Daniel Johnston has had more highs and lows than most globetrotting rock stars. This film by director Jeff Feuerzeig offers a retrospective look at Daniel's life, forming an affecting picture of a truly talented man. Eschewing the opportunity to bring in a host of celebrities to wax lyrical about Daniel--of which there would be many: Nirvana, Beck, Sonic Youth, SIMPSONS creator Matt Groening, and many others are all devoted followers of the singer--Feuerzeig instead speaks to those who know (or knew) him best. So Daniel's parents, a former girlfriend, a former manager, and others all step forward to fill in the gaps in what becomes a remarkable story. Feuerzeig's film shows how Daniel's battles with manic depression have blighted his chances of fully enjoying the fame that he desperately craves. Daniel himself does not speak to camera; instead he is heard through the mountain of audio cassettes on which he has obsessively recorded the key elements of his life. It all adds up to riveting viewing, with tales of an ill-fated major label deal in the grunge era, stints in and out of mental institutions, and Daniel's first acid trip at a Butthole Surfers show. What becomes abundantly clear is the love and devotion Daniel inspires in his family, friends, and followers. Feuerzeig is careful not to condescend to his subject, and notes how Daniel has enjoyed a latter-day renaissance as he enters his mid-40s. With new advances in medicine allowing him to tour, the art world snapping up his beautiful drawings, and a level of previously unthinkable stability entering his life, Feuerzeig leaves us on a high, as his lovingly crafted movie about this brightest of tragic stars winds to a satisfying conclusion. [More]
Starring: Gibby Haynes, Sonic Youth
Starring: Gibby Haynes, Sonic Youth
Director: Jeff Feuerzeig
Director: Jeff Feuerzeig
Producer: Henry Rosenthal, Ted Hope
Composer: Walter Werzowa
Studio: Sony Pictures Classics
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Reviews for The Devil and Daniel Johnston
As for the serious fans of his work, well, maybe I'm not getting something, but they seem like the craziest people in the movie.
The cinematography and editing are often far more creative than the aptly utilitarian work frequently found in biographical documentaries...
'The Devil and Daniel Johnston' is a documentary that will haunt you all the way home, and into the night.
This mesmerizing documentary about the cult musician (his enthusiastic fans include indie-rock royalty like Sonic Youth) will do more to sway the uninitiated to Johnston's side than away from it.
[The film] may be a paean to a lost 'genius,' but it is also a gritty, involving, warts-and-all tale of celebrity and psychosis that leaves a likely unanswerable question: Were the naive songs of Johnston's youth a window into his soul, or his disease?
Johnston's story may seem like another '80s cultural footnote, but just when you think ... you've seen it all, another fascinating chapter in his eventful life comes along.
Director Jeff Feuerzeig, extensively utilizing home movies, chronicles the eerie and oddly inspiring story of Johnston's ongoing battles to survive -- both as artist and human being.
The romantic cliche that all artists are a little bit mad is put through its paces (if never seriously questioned) in this documentary about the musician Daniel Johnston.
I can't tell if the movie means to leave us somewhat hopeful or utterly devastated by the way God treats his own geniuses.
It's the way Feuerzeig walks with him on the line between creativity and madness that digs this haunting and hypnotic film into your memory.
[Johnston's] story opens a window on the nature of art and the power of myth.
Returns repeatedly to the tangled relationship between hipsters and the out-of-control oddballs they enable.
Why he keeps being a called a 'musical genius' in the film is something my ears could never understand.
The Devil and Daniel Johnston is undoubtedly the best movie anyone could have made about this unwitting practitioner of 'outsider' art.
The Devil and Daniel Johnston is a fascinating and lovingly crafted musical documentary that nevertheless misunderstands its own subject.
Thornberry, a friend of Johnston, reminds us that we can appreciate the Van Goughs and Virginia Wolffs of the world, but it's hard to romanticize mental illness when we are forced to personally deal with the realities of broken bones, hospitals, and pain.
The documentary holds no illusions about insanity as a career move; there's a whiff of the freak show in Johnston's latter-day concerts but never in Feuerzeig's approach.
Daniel Johnson's 'musical genius' is overblown. His only similarity to Brian Wilson is his mental illness, which is the true focus of this fascinating documentary.
I viewed this as an outsider to his subculture and the film offered me little.
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