The film's violence erupts in rare, staccato bursts, all the more horrifying for coming out of nowhere.

Election feels routine at times, though less formulaic than other genre exercises from Hong Kong. The depiction of crime customs is sociologically detailed.

[Director To's] talent for documentary-style realism and navigating complex political systems sets him apart, though his nationalism puts him squarely in the mainstream.

Dense, demanding concentration, lacking any romantic (but plenty of sordid) violence, extremely involving and rewarding of careful attention.

Ultimately, Election and Triad Election -- which benefit from being seen back to back -- play like a mature reevaluation of [Johnnie] To's long-standing talent for splashy, eye-popping violence.

Nobody familiar with [director] To will be surprised by the way he presents stylish violence in innovative and humorous ways.