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Free Zone (2006)
Tomatometer
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Reviews Counted:46
Fresh:12
Rotten:34
Average Rating:5/10
Consensus: The symbolism in this cinematic metaphor on conflicts in the Middle East becomes so overbearing that it's hard to care about the characters or their plight.
Theatrical Release:Apr 7, 2006 Limited
Synopsis: Sitting in a chauffeured car parked just outside of Jerusalem's Wailing Wall, Rebecca (Golden Globe winner and Academy Award nominee Natalie Portman) struggles to compose herself. It isn't clear... Sitting in a chauffeured car parked just outside of Jerusalem's Wailing Wall, Rebecca (Golden Globe winner and Academy Award nominee Natalie Portman) struggles to compose herself. It isn't clear who or what has just upset her, but the driver of the car she's sitting in (Hanna Laslo as Hanna) is losing patience. Hanna's running late for an appointment that she absolutely must keep and Rebecca is holding her up. A strong-willed, charismatic Israeli woman, Hanna is on her way to Jordan, to an ungoverned economic free zone of shady business transactions that is bordered by Syria, Iraq and Saudi Arabia. Looking for a quick "escape", Rebecca heedlessly convinces a reluctant Hanna to take her along for the ride. Their trip to the Free Zone allows Rebecca a moment to reflect on what led her - some months ago - to leave the United States for Israel, and on her breakdown in Hanna's cab earlier in the day. The road-trip also reveals the urgency behind Hanna's quest, which is being made on behalf of her husband, Moshe (Uri Klauzner). Recently wounded in a terrorist attack, Moshe needs Hanna to collect a debt owed to him by a business partner of his that operates an armored car dealership within the Free Zone. But when Hanna and Rebecca reach "the American's" office, they are confronted by Leila (Hiam Abbass), a Palestinian that works for "the American" and who tells Hanna that "the American" and Hanna's money are missing. Determined not to leave the Free Zone without her husband's debt paid, Hanna forces Leila to join her, and with Rebecca tagging along, the three woman begin a search of the Free Zone for "the American" and Moshe's money. Soon the relationship between the three women changes and what began as a kind of pragmatic mutual need between them, quickly turns into an emotional solidarity that will affect each of their lives forever. Internationally acclaimed Israeli filmmaker Amos Gitai (Yom Yom, Kadosh, Kippur, Kedma, Promised Land) is arguably the most accomplished filmmaker to ever come out of the Israeli film industry. Furthering his career-long exploration of Israeli culture – the Film Society of Lincoln Center recently held a major retrospective of his work – Free Zone moves to a unique terrain where Israelis and their Arab neighbors connect in a market free of political wrangling. Employing virtuosic long-takes and elegant simultaneous exposures, Gitai's beautiful new film is a quietly sweeping movie about intersected lives in transit. Shot in cooperation with the Jordanian Royal Film Commission, Free Zone is the first Israeli fiction feature ever shot in an Arab country. The film boasts first-rate performances by three great actresses of world cinema – Natalie Portman (Closer, Garden State), Hanna Laslo (Winner, Best Actress, 2005 Cannes Film Festival) and Hiam Abbass (Paradise Now). --© New Yorker Films [More]
Starring: Natalie Portman, Hana Lazlo, Hiam Abbass
Starring: Natalie Portman, Hana Lazlo, Hiam Abbass
Director: Amos Gitai
Director: Amos Gitai
Screenwriter: Amos Gitai, Marie-Jose Sanselme
Producer: Laurent Truchot
Studio: New Yorker Films
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Reviews for Free Zone
Maybe being stuck in the car is supposed to give you that claustrophobic feeling that you're in the middle of this, but it feels like a low-budget home movie from a vacation you wouldn't want to take.
In a film that is so concerned and in love with its female characters, Gitai sort of leaves them in a lovable sing-along
The message is made clear within the first 10 minutes, leaving us with about 80 minutes of thematic repetition.
Visually, Free Zone resembles a home movie in which an overly enthusiastic vacationer records every moment of a mundane trip.
Gitai’s films are unabashedly political, tackling controversial issues. They are often more interesting intellectually than artistically. Freezone is no exception.
Despite dealing with a journey, this confused and confusing movie seems to go nowhere.
Without fail, Gitai's determination to churn everything into metaphoric mud prevails.
It's a nice crying jag by Natalie Portman, but there's not much else here to recommend.
Free Zone suffers from too-much-information syndrome, stalling out now and again from its tangled narrative wiring and an overload of emotional freight.
A rambling road movie with noble intentions and an excess of speechifying.
Per usual, Gitai largely eschews exposition, but his reticence sits awkwardly beside his penchant for saddling his deliberately stereotyped figures with trite, unwieldy speeches and symbolic-ironic biographical data.
an often excruciating 134 minutes that could have been trimmed to a tidier 10 minute short
While Portman does outshine everyone and everything on screen and though she certainly gets credit for making the résumé sacrifice in the spirit of embracing her heritage, Free Zone does nothing for her in return
The deeply allegorical ending may provoke political discussions, but as drama, Free Zone has lost its way long before then.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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