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The Baxter (2005)
Tomatometer
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Reviews Counted: 70
Fresh: 22
Rotten:48
Average Rating: 5.1/10
Consensus: The Baxter is good-natured, but there are simply not enough laughs to fuel this comedy.
Rated: PG-13 [See Full Rating] for brief sexual humor and some drug references.
Runtime: 1 hr 31 mins
Genre: Romance
Theatrical Release:Aug 26, 2005 Limited
Synopsis: THE BAXTER (noun) Mr. Wrong. A compromise to "true love." The epitome of "settling." In every romantic comedy there's always that scene at the end where the leading man barges through the... THE BAXTER (noun) Mr. Wrong. A compromise to "true love." The epitome of "settling." In every romantic comedy there's always that scene at the end where the leading man barges through the chapel doors just as the leading lady is about to marry the Wrong Guy. This movie is about the guy left at the altar. The wrong guy. That guy is called the Baxter. The Baxter is the kind of guy you "settle" for because you can't be with the one you really love. And no one's ever been more of a Baxter than tax accountant Elliot Sherman (played by writer/director/star Michael Showalter). Nice but safe, Elliot has been left at the proverbial 'altar' more times than once. From high school to college to business school, Elliot always finds himself on the losing end of the love triangle. After a swearing off relationships once and for all, Elliot decides to take the plunge one last time when he meets his dream woman, beautiful magazine editor Caroline Swann (Elizabeth Banks). But just as he's about to hear wedding bells, her hunky, long-lost high school sweetheart Bradley Lake (Justin Theroux) turns up out of the blue triggering Elliot's fears of yet another colossal dumping. As Elliot feels his life spinning into a downward spiral, things begin to change when he encounters Cecil Mills (Michelle Williams), an adorable office temp/aspiring singer just off the bus from Fergus Falls, Minnesota. Cecil tells Elliot, "Your problem is that you're not willing to take a risk. Leading men take risks." As Elliot struggles to assert himself for the first time, a series of escalating comic events are set in motion, until finally, with Cecil's help, he learns how to step into center stage in his own life and leave Baxter-hood behind forever. Co-starring Zak Orth, Michael Ian Black, Peter Dinklage, David Wain and Paul Rudd, THE BAXTER, reminiscent of the classic American romantic comedies of the forties, is a love story where nice guys finish first for once. IFC Films presents an IFC Production/Plum Pictures Production, THE BAXTER, written, directed and starring Michael Showalter. Co-starring Elizabeth Banks, Michelle Williams and Justin Theroux, the film is set to open in the summer of 2005 through IFC Films. --© IFC Films [More]
Starring: Michael Showalter, Elizabeth Banks, Justin Theroux, Michelle Williams
Starring: Michael Showalter, Elizabeth Banks, Justin Theroux, Michelle Williams, Michael Ian Black, Peter Dinklage, Paul Rudd, Zak Orth, David Wain, Catherine Lloyd Burns
Director: Michael Showalter
Director: Michael Showalter
Screenwriter: Michael Showalter
Composer: Theodore Shapiro, Craig Wedren
Producer: Celine Rattray
Studio: IFC Films
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Reviews for The Baxter
A droll romantic comedy that relies on a self-deprecating brand of humor which must be a bit of an acquired taste. The film's utter predictably sinks this exercise in obviousms, making its few funny moments not worth waiting for.
Showalter cria um filme exatamente como seu protagonista: desajeitadamente simpático e divertido.
What comes to mind are TV sitcom pilots full of strain, and the forlornly perky mechanisms of old Day & Hudson comedies.
Clearly the filmmakers are trying to make The Baxter look old-fashioned. But there's a modern smugness and superiority that undermines that attempt.
It doesn’t take much imagination to guess who will end up with whom, but The Baxter is agreeably silly and has lots of simple charm.
Every romantic-comedy cliché gets played out, but merely re-enacting those clichés in an arch tone isn't funny enough.
Showalter tackles his mission with energy and an upbeat attitude that makes him a winner as a lovable loser.
The structure is a miscalculation by Showalter, who inexplicably drives his audience through the exact type of sappy material he had started off satirizing.
Perhaps it's only just that a movie about a loser should be a loser itself.
Only when Williams is around does the movie seem human, true, and funny: Even in her slapstick there's pain. She's almost too good: It's not until she's left a scene that you realize the movie isn't working.
Anyone who's seen a few romantic comedies, the older the better, will find something to like about The Baxter.
Is this enough on which to hang a full-fledged movie that people will pay to see? Probably not ...
Latest News for The Baxter
October 06, 2005:
Summer Tomatometer Wrap-up #4: The Worst of the Summer
Over the past few days, we've tried to counter the common misconception that this summer's cinematic fare was bereft of quality. However, that doesn't mean the season was... More...
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