A movie that's beautifully acted, with an eye for drab period detail.
Oliver Twist (2005)
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Reviews Counted:133
Fresh:78
Rotten:55
Average Rating:6.3/10
Consensus: Polanski's version of Dickens' classic won't have audiences asking for more because while polished and directed with skill, the movie's a very impersonal experience.
Runtime: 2 hrs 5 mins
Genre: Dramas
Theatrical Release:Sep 23, 2005 Limited
Box Office: $1,987,287
Synopsis: Acclaimed director Roman Polanski turns a dark eye toward the classic Charles Dickens novel OLIVER TWIST, about a charming orphan boy (Barney Clark) whose life seems to depend solely on the whims... Acclaimed director Roman Polanski turns a dark eye toward the classic Charles Dickens novel OLIVER TWIST, about a charming orphan boy (Barney Clark) whose life seems to depend solely on the whims of fate. Abandoned early in life, Oliver first seems doomed to life in a workhouse, where he is farmed out to a local undertaker where he regularly is underfed and mistreated. Hoping to improve his lot in life, Oliver runs away to London, where he falls in with a gang of petty criminals led by the fence Fagin (Ben Kingsley) and the young pickpocket the Artful Dodger (Harry Eden). His new situation seems like relief, until he meets Mr. Brownlow (Edward Hardwicke), who sees Oliver's true character and potential and seems determined to sway destiny. Despite his innocent performance, eleven-year old Barney Clark was already a seasoned professional when Polanski recruited him to play Oliver, including studies at the Anna Scher Theatre and performances in the film THE LAWLESS HEART and British television dramas FOYLE'S WAR and THE BRIEF. Also of note is the moving score by award-winning composer Rachel Portman, which brings to life the gritty life of Victorian London. Polanski can now add OLIVER TWIST to his array of classic films, including THE PIANIST and CHINATOWN, which forever will shape cinematic vision. [More]
Starring: Ben Kingsley, Jamie Foreman, Harry Eden, Leanne Rowe
Starring: Ben Kingsley, Jamie Foreman, Harry Eden, Leanne Rowe, Barney Clark, Edward Hardwicke, Mark Strong, Ian McNeice
Director: Roman Polanski
Director: Roman Polanski
Screenwriter: Ronald Harwood
Producer: Robert Benmussa, Alain Sarde
Composer: Rachel Portman
Studio: Sony Pictures Entertainment
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Reviews for Oliver Twist
With tact and enthusiasm, Roman Polanski grabs hold of a great book and rediscovers its true and enduring vitality.
Nitpickers may squawk over missing elements, but the film doggedly hits on the book's big themes: the power of innocence, the cruelty of class.
...respectful without being slavish, nice to look at without ever being breathtaking, well cast and acted without ever deeply engaging our emotions.
“Oliver Twist” deserves to be recognized as one of the director’s better films.
Polanski has crafted something that already feels like a classic film, beautiful to look at, combining accurate period detail with a certain gothic expressionism and brimming with earthy characters and high drama.
Polanski does what he can with source material that is larger than life.
Polanski and company have proven that, once again, great stories never go out of style.
Perhaps it will take a school trip to encourage kids to see Oliver Twist, but that's one permission slip parents should sign.
The strength of the Polanski film is its lack of sentimentality. He creates a cold, cruel world where an orphan boy, because of his station in life, has no future.
Polanski presents a good but not great rendering of Dickens' oft-filmed second novel.
It’s mannered at times, as you might expect... but the surprising thing about Oliver Twist is how deeply it resonates.
You can look at it all and marvel, or recoil in horror at the barbaric exploitation of women and children. But the film remains an arm's length experience.
Seeing Polanski's version of this most Dickensian of all Charles Dickens' tales, I felt full and wanted no more versions (please, sir!), having now seen the definitive one.
That Polanski chose this as the movie he wanted to make for his own children feels motivated by more than a septuagenarian dad's desire to take a $60-million stab at a bedtime story. It feels inspired by a need to tell them who he is.
Engaging, handsomely photographed and beautifully acted, Polanski's Oliver Twist, adapted by Pianist screenwriter Ronald Harwood, distinguishes itself from most versions in its decidedly dark tone.
Poignant and primal, Roman Polanski's splendid adaptation of the Charles Dickens classic pricks the heart and the conscience.
Roman Polanski's new version finds the humor in Dickens' story without glossing over the essential point that a society must be judged inhumane if its treatment of its most unfortunate members is not humane.
The movie understands what Polanski himself knew upon surviving the Holocaust--you take your kindness where you can find it, weighing its price along the way.
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