Okay, I get it. Polanski doesn’t want us to forget his childhood.
Oliver Twist (2005)
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Reviews Counted:133
Fresh:78
Rotten:55
Average Rating:6.3/10
Consensus: Polanski's version of Dickens' classic won't have audiences asking for more because while polished and directed with skill, the movie's a very impersonal experience.
Runtime: 2 hrs 5 mins
Genre: Dramas
Theatrical Release:Sep 23, 2005 Limited
Box Office: $1,987,287
Synopsis: Acclaimed director Roman Polanski turns a dark eye toward the classic Charles Dickens novel OLIVER TWIST, about a charming orphan boy (Barney Clark) whose life seems to depend solely on the whims... Acclaimed director Roman Polanski turns a dark eye toward the classic Charles Dickens novel OLIVER TWIST, about a charming orphan boy (Barney Clark) whose life seems to depend solely on the whims of fate. Abandoned early in life, Oliver first seems doomed to life in a workhouse, where he is farmed out to a local undertaker where he regularly is underfed and mistreated. Hoping to improve his lot in life, Oliver runs away to London, where he falls in with a gang of petty criminals led by the fence Fagin (Ben Kingsley) and the young pickpocket the Artful Dodger (Harry Eden). His new situation seems like relief, until he meets Mr. Brownlow (Edward Hardwicke), who sees Oliver's true character and potential and seems determined to sway destiny. Despite his innocent performance, eleven-year old Barney Clark was already a seasoned professional when Polanski recruited him to play Oliver, including studies at the Anna Scher Theatre and performances in the film THE LAWLESS HEART and British television dramas FOYLE'S WAR and THE BRIEF. Also of note is the moving score by award-winning composer Rachel Portman, which brings to life the gritty life of Victorian London. Polanski can now add OLIVER TWIST to his array of classic films, including THE PIANIST and CHINATOWN, which forever will shape cinematic vision. [More]
Starring: Ben Kingsley, Jamie Foreman, Harry Eden, Leanne Rowe
Starring: Ben Kingsley, Jamie Foreman, Harry Eden, Leanne Rowe, Barney Clark, Edward Hardwicke, Mark Strong, Ian McNeice
Director: Roman Polanski
Director: Roman Polanski
Screenwriter: Ronald Harwood
Producer: Robert Benmussa, Alain Sarde
Composer: Rachel Portman
Studio: Sony Pictures Entertainment
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Reviews for Oliver Twist
Polanski presents a good but not great rendering of Dickens' oft-filmed second novel.
Roman Polanski has made a perfectly agreeable and entertaining new Oliver Twist.
Fails to topple Lean's untoppable version; still one of the best movies of 2005. Startlingly unemotional, but for the stormy torments behind Fagin's overhanging eyebrows.
“Oliver Twist” deserves to be recognized as one of the director’s better films.
Technically sound and surprisingly faithful to its source material, Roman Polanski's version of Oliver Twist comes across as uninspired and flat.
Polanski delivers an acceptable yet thoroughly uninspiring twist on the orphaned Oliver, who gets a raw deal every which way.
Nitpickers may squawk over missing elements, but the film doggedly hits on the book's big themes: the power of innocence, the cruelty of class.
Polanski has crafted something that already feels like a classic film, beautiful to look at, combining accurate period detail with a certain gothic expressionism and brimming with earthy characters and high drama.
The strength of the Polanski film is its lack of sentimentality. He creates a cold, cruel world where an orphan boy, because of his station in life, has no future.
Polanski could have made Oliver as haunting as his 2002 Academy Award-winning film, The Pianist. Yet his new effort falls just short.
Roman Polanski's Oliver Twist is probably the most faithful adaptation. But hardly anyone will take notice; it's just a tale that's been told too many times before.
A version of "Oliver" that's so safe, it's pretty much a case of baby-sitting.
It is something special in these times of incivility to see a protagonist who stands apart from others with his good manners.
Any parents thinking of bringing their young kids to this very-hard-PG-13 downer have hereby been warned.
...one of Polanski's safest, least distinctive pictures -- just another tasteful run through a story that's already too familiar. Oh well, at least in this one nobody sings.
It's as though Polanski had set the story's foolproof motor on cruise control and left the room; the tale is well told but told without personality.
Oliver Twist is a rarity, as far as Polanski films go, in that it is just an OK movie.
With intelligence and style (inspired by the art of Gustave Doré and Francisco Solé), Polanski makes a rewarding contribution to Dickens' legacy on screen.
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