It ... may be the longest 75-minute film in the history of cinema -- there was a clock check 25 minutes in, after thinking 'this has got to be almost over.'
Room (2005)
Tomatometer
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Reviews Counted:13
Fresh:9
Rotten:4
Average Rating:5.9/10
Theatrical Release:Jun 28, 2006 Limited
Synopsis: As her family's sole source of income, Julia allows their needs to eclipse her own. Her efforts to pay the bills and take care of her daughters are plagued by crippling migraines. In addition, she... As her family's sole source of income, Julia allows their needs to eclipse her own. Her efforts to pay the bills and take care of her daughters are plagued by crippling migraines. In addition, she is also seeing images in her mind of a strange room. The hallucinations come with greater frequency, and Julia finds it more difficult to continue in her normal life. This psychological drama played at the 2005 Sundance Film Festival. [More]
Starring: Cynthia Williams, Kenneth Wayne Bradley, Alexandra Kiester, Hannah Nicolas
Starring: Cynthia Williams, Kenneth Wayne Bradley, Alexandra Kiester, Hannah Nicolas, Suzanne Savoy, Jacqui Cross, Gretchen Krich, Marco Parella, Frank Barajas, Jessica Hedrick, J. Shanon Weaver, Molly Pearson, George Manly
Director: Kyle Henry
Director: Kyle Henry
Screenwriter: Kyle Henry
Producer: Michael Stipe, Allen Bain, Jim McKay
Studio: 7th Floor
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Reviews for Room
A perceptive, unsettling psychodrama marking the assured feature writing and directing debut of shorts filmmaker Kyle Henry.
Henry's film is beautifully shot and extraordinarily well acted by Williams, whose face alone says everything about the plight of working mothers who can no longer make ends meet.
Cyndi Williams's performance in Kyle Henry's Room is a searing articulation of post-traumatic stress disorder.
Kyle Henry's Room is one of those rare American indies that confidently and successfully propose their own narrative logic, drawing viewers into a mental puzzle that may not contain a single clear solution.
Writer-director Kyle Henry’s debut feature is a tedious tease that parades assorted sensations and signifiers past the audience for nearly an hour and a half before sputtering out in a rush of incomprehensible visual noise.
It isn’t an easy film, but the world’s already got plenty of easy and easily digestible films. Nervy and confounding pictures, however, we could use more of.
Gadually it slips into the indie paradigm of an alienated soul rushing into darkness, climaxing with a semiabstract montage sequence that's more rhetorical than dramatic.
A small-scale indie with bountiful ambitions, this resourceful debut ballasts a great deal of conceptual idiosyncrasy ... with strict observations of personality, behavior and the textures of space.
Williams gives a superb performance that recalls Ellen Burstyn's in Darren Aronfsky's much-praised Requiem for a Dream.
Expertly moody and foreboding, Room is somewhat less than the sum of its parts, but is nonetheless compelling viewing along the way.
A performance de Williams é corajosa e intensa, mas o diretor-roteirista cria um drama existencialista pós-11 de Setembro bobo sobre o constante estado de medo do norte-americano médio e sua busca desesperada por algum tipo de válvula de escape.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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