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G (2002)

27%
14%
33%
N/A
N/A
N/A
27 %
Reviews Counted: 26 Fresh: 7  Rotten:19 Average Rating: 4.7/10
 
Consensus: Race and class struggles come to the Hamptons in this reworking of The Great Gatsby with a hip-hop flavor. Unfortunately, too many subplots and a lack of believable characters spoil an otherwise novel concept.
 

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The Tomatometer measures the percentage of positive reviews from Approved Tomatometer Critics for a certain movie.[-]

Runtime: 1 hr 36 mins

Theatrical Release: Sep 16, 2005 Limited

Box Office: $2,964,475

Synopsis: G is a contemporary African-American romance inspired by the classic F. Scott Fitzgerald story The Great Gatsby. Set amidst the grandeur of the ultra elite Hamptons, G follows self-made millionaire and rap mogul Summer G (Richard T. Jones) on a journey to regain what he desires most – the love... G is a contemporary African-American romance inspired by the classic F. Scott Fitzgerald story The Great Gatsby. Set amidst the grandeur of the ultra elite Hamptons, G follows self-made millionaire and rap mogul Summer G (Richard T. Jones) on a journey to regain what he desires most – the love of his life (Chenoa Maxwell), now married to a wealthy and philandering Wallstreeter (Blair Underwood). Having built his thriving empire from the ground up, Summer G would relinquish it all for the promise of rekindling a romance with his one true love. Urban music writer, Tre, (Andre Royo) spends the summer chronicling the lifestyle of this complex rap mogul for an article on the rise of African-American prominence linked to Hip Hop in the Hamptons. Without malice or intent, this writer brings these lovers together while simultaneously pulling their worlds apart. [More]

Genre: Dramas

Starring: Richard T. Jones, Blair Underwood, Chenoa Maxwell, Andre Royo, Laz Alonso

Director: Christopher Scott Cherot

Reviews

 
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3.5/4

The F. Scott Fitzgerald's classic, The Great Gatsby, adapted as a modern-day morality play in blackface. This fairly-faithful version explores the same themes as its source material, only with a hip-hop spin.

Full Review | comment Comment
04/04/07
Kam Williams
AALBC.com
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2/5

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Full Review | comment Comment
05/12/06
Jim Lane
Sacramento News & Review
N/R

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Full Review | comment Comment
12/06/05
Onion AV Club
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2/5

Reworking the story with a hip-hop record mogul at its center comes across as little more than a stunt. And not a very good stunt.

Full Review | comment Comment
11/02/05
Ken Hanke
Mountain Xpress (Asheville, NC)
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C

Another strikeout, further destroying F. Scott Fitzgerald's film batting average.

Full Review | comment Comment
11/02/05
Gregory Kirschling
Entertainment Weekly
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N/A

No green light but the one mistakenly given to start production.

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11/01/05
Peter L'Official
Village Voice
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N/A

I still thought there were enough good performances, great visuals, and an interesting examination of a lifestyle in a way that we haven’t seen a lot of times in movies for me to recommend it.

Full Review | comment Comment
10/31/05
Richard Roeper
Ebert & Roeper
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2.5/4

G often resembles a glossy BET soap opera...Cherot does capture the decadence of its slick “playas” in the extravagant world of bling-worshipping music moguls

Full Review | comment Comment
10/29/05
Frank Ochieng
Movie Eye
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D

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10/29/05
Dallas Morning News
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N/R

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10/29/05
Houston Chronicle
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3/4

An unpolished but entertaining tragedy filled with outstanding performances and memorable moments.

Full Review | comment Comment
10/28/05
Peter Hartlaub
San Francisco Chronicle
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2/5

You should never make a movie about boundless, conspicuous wealth on an indie budget.

Full Review | comment Comment
10/28/05
Roger Moore
Orlando Sentinel
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2/4

We beat on, boats against the current, borne back ceaselessly into the sha-fizzle-dizzle.

Full Review | comment Comment
10/28/05
Stephen Whitty
Newark Star-Ledger
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1/4

[A] poorly acted, directed and written (but slick-looking) vanity project.

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10/28/05
Lou Lumenick
New York Post
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3/4

Bottom line: It works even if you’ve never heard of F. Scott Fitzgerald. But it’s twice as much fun if you have.

Full Review | comment Comment
10/28/05
Robert W. Butler
Kansas City Star
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1.5/4

The women are shrewishly materialistic, the men are manipulative or violent and the Polo wardrobes look fabulous on everyone. It's an ugly affair overall, but at least you can say you've never seen such beautiful shirts.

Full Review | comment Comment
10/28/05
Elizabeth Weitzman
New York Daily News
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2/4

The book was about class and the American dream. The movie is too, though it's most interested in the soap opera machinations of the plot.

Full Review | comment Comment
10/28/05
John Monaghan
Detroit Free Press
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D

Everyone in this movie is getting it on with someone else behind their lover's back, but only the women have to end up suffering for it. Nice, right?

Full Review | comment Comment
10/28/05
E! Online
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2/4

Christopher Scott Cherot's drama is an honorable attempt laid low by a verbose script, cheap production values, and a general tendency toward soap opera.

Full Review | comment Comment
10/28/05
Ty Burr
Boston Globe
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N/A

There is scarcely a minute's worth of believable human behavior on display in G, which builds to a climax as incoherent as it is ludicrous.

Full Review | comment Comment
10/28/05
Scott Von Doviak
Fort Worth Star-Telegram
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