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Reviews Counted:14
Fresh:9
Rotten:5
Average Rating:5.9/10
Theatrical Release:Aug 17, 2007 Limited
Synopsis: This drama from Zhang Yang (SHOWER) explores the life of one Chinese family over the latter part of the 20th century.
An odd combination of sociopolitical metaphor and conventional melodrama, Chinese filmmaker Zhang Yang's Sunflower has moments of keen insight and power touching on the ways in which human character and personality are shaped by historical experience.
The film's father-son friction grows occasionally repetitious, but it springs from a sensitive, well-written melodrama that earns its emotions with tender sincerity.
There is so much going on in Sunflower that you may want to see it more than once.
Sunflower succeeds as both a moving family drama and a microcosm of China's social history since the 1970s.
Top CriticAlthough filled with a plethora of dramatic events, including earthquakes and floods, the film never achieves real dramatic momentum, due in large part to its needlessly sluggish pacing.
Top CriticWhile individual moments are quite moving, Sunflower conveys the passage of its history-changing years in what seems like real time.
Top CriticWhatever the movie lacks in sociopolitical insight, it makes up for with moving storytelling.
Like Douglas Sirk without the throw pillows, Sunflower is a shamelessly old-fashioned melodrama performed with such sincerity that resistance is futile.
Top CriticA much better film in theory than in practice.
Paging John O'Hara. One would have to reach back to those melodramatic family potboilers of the '50s to find such an unfettered blast of guilt-tripping and misdirected love.
Top CriticA fascinating portrait of 30 years in a turbulent relationship between a domineering Chinese father and his stubborn son.
Sunflower plays less like the epic it aspires to be than an episode of Full House: Beijing.
Top CriticThis film marks a return to more accessible fare for Chinese director Zhang Yang.
The most conventional, but paradoxically the deepest felt and most emotionally affecting, of mainland Chinese helmer Zhang Yang's four pics.
Top Critic
June 18, 2008:
An odd combination of sociopolitical metaphor and conventional melodrama, Chinese filmmaker Zhang Yang's Sunflower has moments of keen insight and power touching on the ways in which human character and personality are shaped by historical experience. 
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September 05, 2007:
Potentially striking moments of ideological consciousness, passion, and emotional truth too often defer to the melodramatic and mundane.
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August 16, 2007:
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