Think you'd wanna be twelve again? Twelve makes you think again.
12 and Holding (2006)
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Reviews Counted:76
Fresh:56
Rotten:20
Average Rating:6.7/10
Consensus: This shocking pre-teen drama manages, through realistic performances and a sense of empathy, to avoid exploitation and instead deliver something honest and haunting.
Rated: R [See Full Rating] for some violence and sexual content involving minors, and for language.
Runtime: 1 hr 34 mins
Genre: Dramas
Theatrical Release:May 19, 2006 Limited
Synopsis: Director Michael Cuesta follows up his debut film L.I.E. with another harrowing coming-of-age tale in TWELVE AND HOLDING. Cuesta casts young Conor Donovan as his lead, with the impressive actor... Director Michael Cuesta follows up his debut film L.I.E. with another harrowing coming-of-age tale in TWELVE AND HOLDING. Cuesta casts young Conor Donovan as his lead, with the impressive actor playing twins--the sociable athlete Rudy and the distinctly introspective Jacob. Joining Donovan in the cast are Jesse Camacho as Leonard, a paunchy kid reminiscent of Jerry O'Connell's Vern in STAND BY ME, and Zoe Weizenbaum as Malee, a quietly disturbed young girl with a fractured family life. The five 12-year-olds are close friends, but their lives are thrown into turmoil when a prank by local bullies goes horribly wrong and Rudy is burned alive in a tree house. As Jacob's parents fall apart at the news, the rudderless surviving twin realizes he can't rely on them for support, so he makes the surprising decision to make regular visits to the two brothers who killed Rudy as they languish in a juvenile detention center. Meanwhile, Malee copes with the tragedy by obsessing over an attractive older guy named Gus (Jeremy Renner) and Leonard gets on a health kick despite his overweight parents' protestations. Cuesta's film draws on elements of similar genre favorites, not only STAND BY ME but Jacob Estes's MEAN CREEK and even the work of Todd Solondz and Gregg Araki. But TWELVE AND HOLDING is not a facile reproduction of other work; instead it's a startling kids'-eye view of poor parenting and woeful neglect. The four leads give astonishingly mature performances, and Cuesta manages to surpass his meagre budget by creating a stylistic tour-de-force that may leave anxious parents wondering what their kids are doing in their spare time. [More]
Starring: Marcia DeBonis, Michael Cuesta, Conor Donovan, Linus Roache
Starring: Marcia DeBonis, Michael Cuesta, Conor Donovan, Linus Roache, Jo Weizenbaum, Annabella Sciorra, Jeremy Renner
Producer: Tom McGowan, Brian Bell, Michael Cuesta, Leslie Urdang
Composer: Pierre Foldes
Studio: IFC Films
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Reviews for 12 and Holding
Twelve and Holding is a tale of young friends who deal with death and family crises.
Follows the youngsters over the course of a tumultuous year, during which time Cuesta and screenwriter Anthony Cipriano succeed in making the audience care desperately whether they're okay and whether the adults in their lives do the right thing.
A few good laughs and superb acting keep the film bearable, even intriguing in places, but these are not fun stories being told.
A refracted glimpse of American suburbia through the eyes of three pre-teens grappling with grief, reprisal and loneliness, the film boasts some great adolescent performances but can't overcome a rigidly partitioned structure and tonal inconsistency.
On by a thread might be the rest of the title. You feel for the characters even when you just want to scream and ground them.
With his modestly impressive young actors and moody lens, Cuesta finds the normal in the extreme.
The young actors are strong enough to triumph over the weaknesses of the script.
The stories coexist without intersecting, and the film would benefit from a stronger narrative spine, but bringing together three such gifted young actors in a single film is a minor miracle.
The kids are very effective. Some laughs seem right, others catch in your throat. There is honest feeling, not sneering.
The trio of youths at the heart of first-time screenwriter Anthony S. Cipriano's script do shocking, outrageous things, events seemingly arising not so much from genuine character motivations as from desire for the film to shock and be outrageous.
... a film that never quite equals the sum of its many intriguing parts.
The movie sometimes grows precarious from the weight of too many crises and hairpin turns from comedy to drama. But both script and direction are ultimately up to the task, trumping occasional improbability with sharp observation.
In Cuesta's cynical formulation, the pretense of empathy is simply license to mock, gawk, and vulgarize.
[An] intelligent and edgy story that allows believable characters and their interpersonal dynamics to come alive as sinister undercurrents ripple below.
Further solidifies Michael Cuesta's talents for telling realistic stories about adolescence.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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