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Changing Times (2006)
Tomatometer
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Reviews Counted:41
Fresh:26
Rotten:15
Average Rating:6.6/10
Consensus: A restless mix of cultural and emotional turmoil provides the backdrop for this exhilarating and uncomfortable story about the consistancy of long lost love.
Theatrical Release:Jul 14, 2006 Limited
Box Office: $178,065
Synopsis: Antoine (Gérard Depardieu) has arrived in Tangiers from Europe. He is a French engineer assigned to oversee the construction of a major media center, the future home of a television network that... Antoine (Gérard Depardieu) has arrived in Tangiers from Europe. He is a French engineer assigned to oversee the construction of a major media center, the future home of a television network that will rival Al Jazeera in the Arab world. While this is a monumental undertaking, the real reason that Antoine took the assignment is to re-establish contact with his first love, Cécile (Catherine Deneuve), who he has quietly and faithfully loved for over thirty years. He instructs his local assistant, Nabilla, to anonymously send Cécile roses every day. Cécile now lives in Tangiers with her husband Nathan (Gilbert Melki), a Moroccan doctor from Casablanca several years her junior, and she hosts an evening radio show, introducing love songs and reading romantic dedications. Their son, Sami (Malik Zidi), arrives from Paris with his partner, Nadia (Lubna Azabal), and her 9-year-old son, Said. Nadia, who is originally from Morocco, hopes to stay with her twin sister, Aicha (also Lubna Azabal), but when Aicha fails to show at the airport, she reluctantly agrees to stay at Cécile’s house. Less than thrilled to have unexpected guests for an undetermined stay, Cécile steals herself against struggles familiar and new. Antoine spies Cécile at a supermarket, and admires her from afar. When she suddenly walks toward him, he runs for the exit, not noticing the intervening glass wall. Nose bloodied and humiliated before his lost love, he is aided by an attentive and unsuspecting Nathan. When they finally speak at the hospital, Cécile reminisces with Antoine and half-heartedly promises to have him over for dinner. Determined to make Cécile fall in love with him all over again, Antoine approaches Nabilla for information on the native magic spells, and she reluctantly gives him an instructional video to watch. To Cécile’s surprise and displeasure, Antoine appears at her doorstep one afternoon. He socializes with Nathan, who then volunteers Cécile’s services to help Antoine find a house for his extended stay. Before leaving, Antoine enters their bedroom and surreptitiously slips an old photo between the struts of Cécile’s bed. A few days later, while driving Antoine to see a seaside villa, her car breaks down. They decide to walk the rest of the way, during which they finally discuss their relationship and the past. Meanwhile, Sami has rekindled an affair with his Moroccan boyfriend Bilal (Nadem Rachati), now working as a groundskeeper on a lavish estate. Nadia stays at home with Said and grows despondent over Aicha’s refusal to see her. Aicha, who works long hours at McDonald’s to support her family and is a devout Muslim, fears the consequences of re-connecting with her westernized sister. Antoine runs into Nathan in a casino, and they discuss his romantic feelings for Cécile. Unthreatened, Nathan talks about Cécile’s previous marriage and of his own extra-marital affairs. Completely discouraged, Antoine backs off from his pursuit. Anxious to have the project completed, he visits the construction site during a slow Sunday and absent-mindedly examines some excavation work. A horrible mudslide starts and he is, in effect, buried alive. Antoine falls into a coma, and Cécile becomes his daily visitor at the hospital. Day by day she hopes for the best... -- © Koch Lorber Films [More]
Starring: Catherine Deneuve, Gerard Depardieu, Gilbert Melki, Malik Zidi
Starring: Catherine Deneuve, Gerard Depardieu, Gilbert Melki, Malik Zidi, Lubna Azabal, Tanya Lopert, Nabila Baraka
Director: André Téchiné
Director: André Téchiné
Story: André Téchiné, Pascal Bonitzer
Screenwriter: Laurent Guyot, Andrucha Waddington
Studio: Koch Lorber Films
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Reviews for Changing Times
An interesting film experience, as much because of its chaotic narrative as in spite of it.
Techine has a location, two stars and a situation, but he can't seem to parlay that into a story, and a story would help, not only in terms of audience pleasure (not something to be dismissed) but also in terms of focusing the film's intention.
[Techine is] intelligent and intuitive, getting up close to his characters and snatching glimpses of their souls with only the tiniest effort.
Until the film ends, Téchiné masterfully maintains an uncomfortable suspense, only to provide a soothing, wonderful and much welcome release.
The film seems to lack real weight or resonance beyond itself, despite the warm and easy working relationship Deneuve and Depardieu share.
Changing Times offers a cool and refreshing aperitif at the end of a warm Bastille Day.
It's always enjoyable watching Depardieu and Deneuve, but they deserve better material than they've been given by Techine.
The ending is both shamelessly clichéd and -- for Cecile -- out of character.
For all of these interconnected characters, announced intentions take the place of character details.
The movie is burdened by several other, far-less compelling subplots that compete for our attention.
Every character in André Téchiné's rich, warmhearted exploration of cultural collision oscillates between two worlds and two ideas about the meaning of experience.
[Director Andre] Techiné always locates a steadfast emotional element in the worlds he creates, a defiant human construct against unstoppable change. In Changing Times, it is love, in unfamiliar forms.
A strange and oddly touching tale about a man's yearning to reconnect with his first love of 30 years ago.
There's something uniquely pleasurable about watching a director in total command of his craft, even when that craft is in service of a scattershot melodrama with pale intimations of social relevance.
We, in any case, are as unconvinced by his lovelorn saga as Deneuve's skeptical pragmatist -- that is, until a romance paperback deus ex machina shoots the film's lifelike credibility out of the water.
A thoughtful and reflective love story about the impact of time on true love.
This moody, more-bitter-than-sweet ode to anxiety is intense adult fare reinforced by effective no frills lensing.
Hardly at their charismatic best, the two unquestionably international stars, however, are the raison d'etre for the film.
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