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Le Petite Jerusalem (2006)
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Reviews Counted:26
Fresh:17
Rotten:9
Average Rating:6.1/10
Runtime: 1 hr 36 mins
Genre: Dramas
Synopsis: Writer-director Karin Albou is nothing if not intrepid: in LA PETITE JERUSALEM she grapples with three of life's most loaded and complex issues--faith, family, and sexuality. Set in a drab and... Writer-director Karin Albou is nothing if not intrepid: in LA PETITE JERUSALEM she grapples with three of life's most loaded and complex issues--faith, family, and sexuality. Set in a drab and aptly named housing project, Little Jerusalem, on the outskirts of Paris, the film focuses on a family of Algerian Orthodox Jewish immigrants. Albou's two main characters, the stunning sisters Laura (Fanny Valette) and Mathilde (Elsa Zylberstein), think about the movie's themes in completely opposite ways. Laura is that classic overly rational cynic--a philosophy student--who, firmly grounded in the realm of the profane, rejects sentimental notions about love and favors an emotionless approach to sex. Her sister, unhappily betrothed and devoutly religious, clings fiercely to the Torah's mandate against female sexual pleasure. Not surprisingly, both women become subsequently unmoored by relationships with different men--Laura finding herself irrationally in love with Djamel, a handsome Algerian, and Mathilde opening herself up to a feminist-fuelled sexual revolution via an extramarital affair. Using handheld photography, tight framing, lingering close-ups, and moody lighting, Albou crafts a movie that is texturally delicate and aesthetically intimate. The subjects and story are made particularly riveting by Albou's wonderfully chosen cast of magnetic performers. In particular, the exotic Vallette's facial nuances and glassy doe-eyes emit a depth of thought that bespeaks inner turmoil and philosophical doubt. LA PETITE JERUSALEM, though small in budget, is large in resonance and scope--a welcome existential treatise that satisfies the heart and the mind. [More]
Starring: Fanny Valette, Elsa Sylberstein, Bruno Tedeschino, Sonia Tahar
Starring: Fanny Valette, Elsa Sylberstein, Bruno Tedeschino, Sonia Tahar, Michael Cohen, Laurent Lavole
Director: Karin Albou
Director: Karin Albou
Screenwriter: Karin Albou
Producer: Isabelle Pragier
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Reviews for Le Petite Jerusalem
In their separate ways, Laura and Mathilde have discovered how to shape their own destinies in a turbulent period of clashing civilizations.
The best reason to watch La Petite Jerusalem is Fanny Valette, a bona-fide beauty who brings a commitment and gravity to scenes that don't always deserve them.
Open-ended, this film closes tightly enough, but it invokes more than it can deal with.
Albou gives a traditional plot a rich sense of detail and a sensitivity to her characters.
[If the film] is a story of escape and liberation, it also shows a calibrated respect for tradition and the ancient pull of family loyalty.
An engrossing, spiritually sensitive and creative film about Judaism, faith and sexuality.
Rich in perceptive details, Albou's film has drawn favorable comparison to the work of Claire Denis (The Intruder, Friday Night), and both directors share a sensual sensitivity to their characters' inner lives.
The film, which means well in its attempt to touch on Kantian philosophy, racial divides, sex and orthodoxy, and secularism versus religion, manages to insult each one of these heavy subjects by not giving any of them the serious, thoughtful attention the
Albou is adventurous in intermixing a young woman's coming-of-age with a search for secular belief but her story is a bit shy on drama.
Beautifully played by Valette and Zylberstein, and directed with amazing grace by Albou, this touching film offers a respectful, fascinating look at a community that's ignored as often as it's misunderstood.
The grand ideas are effectively integrated into a drama that relies equally upon the head, the heart and the body for inspiration.
Even though the romance angle disappoints, the story still holds interest because of the jarring cultural differences, even between the Paris-reared daughters and their superstitious Tunisian mother.
Centered on people of limited means, pic intelligently explores the ways in which the demands of a tightly knit religious community can be stifling or liberating depending on one's own temperament.
The background of Little Jerusalem is a grimy landscape, both physical and political, and it overwhelms the fragile exploration undertaken by the sisters. Or maybe that's the whole point.
This beautiful tale of two sisters living in Sarcelles, a low-income Parisian suburb of mostly new immigrants, presents the darker side of religion while offering a candid view of an Orthodox Jewish family struggling to stay together.
It's very well-acted and directed, shot with great vigor, mostly in roaming closeups that plunge us right into the thick of things.
With candor, sympathy and excellent cinematography, La Petite Jerusalem reflects on the bodies of two sisters in Sarcelles, a drab Parisian suburb called home by an enclave of Orthodox Jewish immigrants.
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