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Only Human (2006)
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Reviews Counted:52
Fresh:37
Rotten:15
Average Rating:6.5/10
Consensus: A cheerfully energetic screwball comedy, Only Human milks laughs from its culture-clash premise.
Theatrical Release:Jun 9, 2006 Limited
Box Office: $69,347
Synopsis: ONLY HUMAN (SERES QUERIDOS), the first feature film written and directed by the married team of Dominic Harari and Teresa De Pelegrí, is an outrageous slapstick comedy laced with serious political... ONLY HUMAN (SERES QUERIDOS), the first feature film written and directed by the married team of Dominic Harari and Teresa De Pelegrí, is an outrageous slapstick comedy laced with serious political and religious overtones. Sort of like MEET THE PARENTS mixed with FIDDLER ON THE ROOF and GUESS WHO'S COMING TO DINNER, this winner of several comedy film festival awards stars Oscar-nominated Argentine star Norma Aleandro (THE OFFICIAL HISTORY) as Gloria, the matriarch of a crazy Spanish Jewish family that includes Tania (María Botto), a single mother living at home who flaunts her sexuality and is proud of regularly sleeping with strangers; her six-year-old daughter, Paula (Alba Molinero), who goes around pretending she's pregnant; David (Fernando Ramallo), who has suddenly decided to become Orthodox and forces his beliefs on everyone else; Ernesto (Mario Martín), Gloria's missing husband; and Dudu (Max Berliner), the aged, deaf grandfather who is more than a bit daffy. Into this ragtag group comes beloved daughter Leni (Marian Aguilera), who is bringing home her new fiance, Rafi (Guillermo Toledo). Although she let everyone think he was an Israeli Jew, he is actually a proud Palestinian. Asked to defrost the soup for dinner, Rafi accidentally drops the ridiculously huge frozen container out the kitchen window, where it falls on a man's head. Wild hi-jinks ensue as Leni tries to hide what has happened, Rafi's guilt at being a murderer is tearing him inside out, David is afraid Rafi might be a terrorist, Tania convinces Leni and their mother that their father is having an affair, and Dudu dodders through it all, eventually getting his rifle. Aguilera and Toledo are a riot as the lovestruck couple, whose future is in grave doubt not only because of their differing religious and political philosophies but also because of who the frozen-soup victim might be. Harari and De Pelegrí keep things moving at a frantic, hysterical pace that never lets up. [More]
Starring: Guillermo Toledo, Maria Botto, Fernando Ramallo, Norma Aleandro
Starring: Guillermo Toledo, Maria Botto, Fernando Ramallo, Norma Aleandro
Director: Teresa Pelegri
Director: Teresa Pelegri
Producer: Mariela Besuievdsky, Gerardo Herrero, Patrick Cassavetti
Composer: Charlie Mole
Studio: Magnolia Pictures
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Reviews for Only Human
More than just a spotlight on wacky family members and screwball situations ... a simple statement about some absurd perspectives on the Israel-Palestine conflict.
A rare, optimistic ray of hope about the prospects of Jewish-Muslim relations.
Writer-directors Dominic Harari and Teresa Pelegri have penned an amusing script and, as directors, inject a delicate human texture into the story's intermixing of capricious zaniness, frank sensuality and Mideast politics.
... well-intentioned and charming, a deliberately downsized film that despite its high concept finds humor in the domestic more often than the political.
A fresh and funny Spanish take on the classic family screwball comedy.
While the comedy is at times sharp but mainly chaotic in that frenzied European style, it seems the filmmakers actually intended to make a statement about Jews, Arabs, and the possibility that love can out maneuver politics and overcome unimaginable histo
The only lesson it has to impart is that a gifted, charismatic cast can elevate the most tired material into something closer to mediocrity.
The secret to Only Human's appeal is that the silliness is performed matter of factly, so it becomes a new, cracked definition of normal.
A smart and dark comedy from Spain, Only Human manages to say cogent things about the nature of intolerance and love while being fitfully hilarious.
The irreverent comedy of family feuds, impulsive leaps of (il)logic, and temporary amnesia is more screwball eccentricity than social satire.
There's a political and social clash at its core, but the laughter comes from a deeper, human place (see title).
A familiar situation of a beloved daughter bringing her intended home to meet the folks is pushed to sublimely silly extremes.
Offers passing amusements, for sure, but the gap between its brilliant potential and its final execution is frustrating.
A Spanish comedy that isn't quite as frenzied or farcical as its husband-and-wife writer-director team clearly intended it to be.
Amiable, and occasionally even insightful, but also sometimes just silly and at others a trifle tasteless...a mixed bag that, unhappily, doesn't deliver quite enough.
It lets frantic get so far ahead of funny, the latter gets lost in the dust.
Mines the comic possibilities of the classic setup of introducing the fiancé to the family, with results that are playful, charming and surprisingly thoughtful.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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