Combining images of 30 years of politics, music, self-expression and alternative living, it's a vibrant, if inevitably scattered, film that manages to tread the fine line between chronicling the festival and exploiting it.
Glastonbury (2007)
Tomatometer
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Reviews Counted: 27
Fresh: 21
Rotten:6
Average Rating: 6.7/10
Consensus: Glastonbury is formless and scattershot, and successful in capturing the festival's raw, wild energy.
Runtime: 2 hrs 18 mins
Genre: Musical & Performing Arts
Theatrical Release: Feb 23, 2007 Limited
Synopsis:
Glastonbury is now the best known, longest running and most pre-eminent music festival in the world. Fuelled by a staggering range of music, the movie will embrace the spirit, characters and overwhelming experiences of the festival as it...
Glastonbury is now the best known, longest running and most pre-eminent music festival in the world. Fuelled by a staggering range of music, the movie will embrace the spirit, characters and overwhelming experiences of the festival as it reflects the extraordinary world changes of the last three decades.
In 1970, a young farmer named Michael Eavis opened his 150-acre farm to 1,500 people who paid one pound each to watch a handful of pop and folk stars perform all weekend long, and the Glastonbury Festival was born. The following year, several rich hippies, including Winston Churchill's granddaughter, provided funds to enlarge the event, and 12,500 people turned up to see David Bowie and Joan Baez. For most of the past 30 years, the Worthy Farm in Glastonbury has provided a delirious outdoor concert for thousands of people over the summer-solstice weekend at the end of June. Julien Temple (director of the Sex Pistols documentary “The Filth and the Fury”) spent a few years collecting footage from every single Glastonbury Festival, ranging from professional outtakes from the film Nicolas Roeg made about the 1971 event to amateur home videos collected from the attendees themselves, often retrieved from forgotten corners of closets and attics. Interweaving images of impromptu art happenings, skeptical locals, and stirring performances by music legends, not to mention the unbridled energy of each successive generation of youthful music fans, Glastonbury skillfully chronicles the evolution of the longest-running music festival in the world.
--© THINKFilm
Starring: Michael Eavis, Bjork, David Bowie, Billy Bragg
Starring: Michael Eavis, Bjork, David Bowie, Billy Bragg, James Brown, Nick Cave, Morrissey, Joe Strummer
Director: Julien Temple
Director: Julien Temple
Studio: ThinkFilm
Get This Movie
Release:
Jun 12, 2007
DVD Features:
- 2-Disc Set
- Keep Case
- Widescreen
Audio:
- Dolby Digital 5.1 Surround - English, Natural Sound/Music
Additional Release Material:
- Audio Commentary - Julien Temple - Director, Jarvis Cocker - Musician
- Interviews with James Brown, Coldplay, Noel Gallagher, Moby
- Trailers - 1. Previews
- 2. Theatrical Trailer
Reviews for Glastonbury
An alternately rousing and repetitive 138-minute documentary spanning four decades of the Glastonbury Festival.
... captures the open-air rock festival experience more completely than any previous film of its kind.
For all the posers with light sticks and piercings, there are moments of Dada-esque beauty, not to mention some great music from Tinariwen, Bjork, David Bowie and the late, great Joe Strummer.
What [Temple] does...is immerse his audience in the spirit of the festival with ingenious editing that shows the Glastonbury Festival as nothing short of a geographically bound society that just happens to exist for a few days a year.
While the movie will clarify whether or not the fest is for you, you never feel like you're actually there.
The movie's 135 minutes [feels] long. But the length is a product of [director] Temple's desire to cram in as much as he can. Despite the festival's drawbacks, it's obvious Temple loves everything about it. Even Coldplay.
The portrait is spectacular and inclusive, if sometimes a bit overwhelming and confusing.
Overlong, unfocused, and shallow, it is less a film than a test of endurance.
Temple is able to convey a perceptive and substantive mood pertaining to the staying power of this weirdly nuanced outdoor finger-snapping function.
The film is clearly an act of boosterism, and it makes a pretty good case for the Glastonbury cause.
Julien Temple's formless documentary Glastonbury aims to capture the festival's chaos and free-wheeling freakiness and accomplishes this goal.
The overall soundtrack seamlessly patches together a sonic quilt of eclectic music that evokes a kind of timeless flow. It's not a Glastonbury of any particular vintage, but rather a continuum of experiences that have occurred on this sacred ground.
Pretentiously impressionistic, sloppy almost to the point of self-parody, [director Julien] Temple's film is New Journalism without the journalism -- or, alas, the drugs.
Super-scintillating. We're fortunate to have a bright, bold documentary like Glastonbury to remind us how fun, weird and wonderful life can be.
A frenetic cut-and-paste job that is free of voiceover, commentary or even titles to introduce interviewees. Such calculated vagueness works, and the lingering impression is of a messy and hedonistic free-for-all.
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