A well-worn coming-of-age tale enlivened by pungent detail and a sharp visual sense.
The Motel (2006)
Tomatometer
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Reviews Counted:31
Fresh:27
Rotten:4
Average Rating:7/10
Theatrical Release:Jun 28, 2006 Limited
Synopsis: This quiet gem marks the directorial debut of Michael Kang, and was produced by Miguel Arteta (THE GOOD GIRL, CHUCK AND BUCK). Thirteen-year-old Ernest Chin (Jeffrey Chyau) is the first-generation... This quiet gem marks the directorial debut of Michael Kang, and was produced by Miguel Arteta (THE GOOD GIRL, CHUCK AND BUCK). Thirteen-year-old Ernest Chin (Jeffrey Chyau) is the first-generation son in a family of Chinese immigrants; he lives in a sleazy motel run by his hardworking, dour mother (Jade Wu) who discourages his interests in writing and girls. She believes that Ernest needs to appreciate what he has at home, and give up his dreams that threaten nothing but heartache--the viewer infers that this is what became of her own dreams. When a brash, hard-drinking, womanizing young Korean man named Sam (Sung Kang) moves into the motel, Ernest forms an unlikely bond with him, as each finds in the other something he desperately needs. Sam seeks out the fatherless boy, sensing a need for guidance and companionship that mirrors his own. The simple, awkward dialogue of the film is managed winningly by novice actor Chyau, who was recruited from the Bronx High School of Science to play the part of Ernest. The performances by supporting actor Kang, as well as Samantha Futerman, who plays Ernest's precocious love interest, are equally powerful. With beautiful photography and a slow, seductive pace, the film delivers a message about finding beauty in unlikely places, as well as the courage to follow one's dreams. [More]
Starring: Jeffrey Chyau, Samantha Futerman, Sung Kang, Jade Wu
Starring: Jeffrey Chyau, Samantha Futerman, Sung Kang, Jade Wu, Alexis Chang
Director: Michael Kang
Director: Michael Kang
Producer: Karen Chien, Miguel Arteta
Composer: Nathan Larson
Studio: Palm Pictures
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Reviews for The Motel
Each of Ernest's interactions and epiphanies is pure, calculated movieland.
The Motel, Michael Kang's modest Sundance applause reaper, doesn't deserve to be shotgunned for the sins of 30 other movies. But the underwhelming syncopation of make-nice clichés is too familiar.
... suffers from rocky moments and an unsure eye, but [Kang's] sense of detail is rich with prickly contradictions and he resists tidying up the story.
The third effort of Korean-American writer-director Michael Kang of New York brings attention to his unique demographic, but should have been a better made movie.
The Motel gives the lie to all those mainstream teen sex comedies starring happy, horny gwailos .
The backdrop of this seedy motel is just the perfect place to illustrate the awkward times of early teen life.
Kang's film avoids broad generalizations about the Asian-American experience to focus on the horrors of adolescence, when differences in race and ethnicity can only add to the general torment.
A wonderful reminder that adult life is never as difficult as puberty was.
Like Jared Hess before him, director Michael Kang is the new kid on the block who wants to play inside Wes Anderson's clubhouse.
Even if writer-director Michael Kang doesn’t exactly break new ground, he imbues his debut with a quiet, compelling inertia that mimics puberty’s rudderless drift, its burgeoning desire for something, anything, to change.
There's little originality in the joy rides, first kisses, and clashes with bullies, yet this 2005 debut feature by writer-director Michael Kang captures the small triumphs of a boy becoming a man.
Michael Kang's small, perfectly observed portrait of a Chinese-American boy captures the glum desperation of inhabiting the biological limbo of early adolescence.
Perhaps The Motel meanders a bit too much -- hard to do in a 76-minute film -- but it is an engaging little movie.
Indie coming-of-age dramedy about a precocious Chinese-American youth whose family operates a sleazy roadside motel signals arrival of a singularly promising filmmaker.
There is honesty and integrity in the filmmaking and the performances, which make The Motel among the best character studies of the year.
Michael Kang Kang makes an impressive feature directorial debut with The Motel. But the person to keep an eye on is Jeffrey Chyau, a student at the Bronx High School of Science, who is a delight in the lead role.
While there's no denying that filmmaker Michael Kang possesses a fair amount of talent, this certainly isn't an appropriate vehicle with which to judge his abilities.
Kang and Chyau make for a great team, with Chyau able to give an honest performance that requires humiliation, but never disrespect.
Latest News for The Motel
June 29, 2006:
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