The Motel (2006)
Runtime: 76 mins
Theatrical Release: Jun 28, 2006 Limited
Synopsis: This quiet gem marks the directorial debut of Michael Kang, and was produced by Miguel Arteta (THE GOOD GIRL, CHUCK AND BUCK). Thirteen-year-old Ernest Chin (Jeffrey Chyau) is the first-generation son in a family of Chinese immigrants; he lives in a sleazy motel run by his hardworking, dour... This quiet gem marks the directorial debut of Michael Kang, and was produced by Miguel Arteta (THE GOOD GIRL, CHUCK AND BUCK). Thirteen-year-old Ernest Chin (Jeffrey Chyau) is the first-generation son in a family of Chinese immigrants; he lives in a sleazy motel run by his hardworking, dour mother (Jade Wu) who discourages his interests in writing and girls. She believes that Ernest needs to appreciate what he has at home, and give up his dreams that threaten nothing but heartache--the viewer infers that this is what became of her own dreams. When a brash, hard-drinking, womanizing young Korean man named Sam (Sung Kang) moves into the motel, Ernest forms an unlikely bond with him, as each finds in the other something he desperately needs. Sam seeks out the fatherless boy, sensing a need for guidance and companionship that mirrors his own. The simple, awkward dialogue of the film is managed winningly by novice actor Chyau, who was recruited from the Bronx High School of Science to play the part of Ernest. The performances by supporting actor Kang, as well as Samantha Futerman, who plays Ernest's precocious love interest, are equally powerful. With beautiful photography and a slow, seductive pace, the film delivers a message about finding beauty in unlikely places, as well as the courage to follow one's dreams. [More]
Genre: Dramas
Starring: Jeffrey Chyau, Samantha Futerman, Sung Kang, Jade Wu, Alexis Chang
DVD Info
Release:
Jan 30, 2007
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen
Audio:
- Dolby Digital 5.1 Surround - English
Additional Release Material:
- Audio Commentary - Michael Kang - Director; Sung Kang - Star; Jeffrey Chyau - Star
- Deleted Scenes
- Featurette - Behind The Scenes Featurette
Buy It On DVD
Reviews
A wonderful reminder that adult life is never as difficult as puberty was.
A most impressive feature film debut by writer/director Michael Kang who has crafted a compelling tale by examining rites of passage from a fresh perspective, namely, that of a Chinese-American adolescent.
The Motel gives the lie to all those mainstream teen sex comedies starring happy, horny gwailos .
Perhaps The Motel meanders a bit too much -- hard to do in a 76-minute film -- but it is an engaging little movie.
Each of Ernest's interactions and epiphanies is pure, calculated movieland.
Kang and Chyau make for a great team, with Chyau able to give an honest performance that requires humiliation, but never disrespect.
As rundown as it is and as downbeat as its denizens are, only 76 minutes seems like too short a stay at "The Motel."
It's a modest triumph of unflattering realism, proving yet again that a camera, a few good actors, the right material and a sensitive director are all you need to illuminate any particular aspect of humanity.
It's pretty much a customary coming-of-age tale, though it is told with refreshing honesty and realism.
... suffers from rocky moments and an unsure eye, but [Kang's] sense of detail is rich with prickly contradictions and he resists tidying up the story.
There is honesty and integrity in the filmmaking and the performances, which make The Motel among the best character studies of the year.
...specific and detailed enough to separate itself from the pack.
It's Kang's understanding of human nature -- not particularly profound, but true and sharp as a perfectly drawn arrow -- that makes this unpretentious production sing.
A well-worn coming-of-age tale enlivened by pungent detail and a sharp visual sense.
Even if writer-director Michael Kang doesn’t exactly break new ground, he imbues his debut with a quiet, compelling inertia that mimics puberty’s rudderless drift, its burgeoning desire for something, anything, to change.
The third effort of Korean-American writer-director Michael Kang of New York brings attention to his unique demographic, but should have been a better made movie.
The film about of a teenage Chinese-American boy struggling with adolescent issues while working in his family's fleabag motel has the precise brevity of a well-crafted short story.
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