an intense, disturbing and bleak drama of ecstasy and insanity, all set in a world where, if there is a God at all, it truly requires a leap of faith into the dark to grasp Him.
Requiem (2006)
Tomatometer
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Reviews Counted:34
Fresh:30
Rotten:4
Average Rating:7.4/10
Consensus: This harrowing, naturalistic drama holds you in its grip through Huller's intense performance.
Theatrical Release:Oct 18, 2006 Limited
Synopsis: Michaela has grown up in a deeply religious family, in a small town in Germany, in the 1970's. Despite her long battle with epilepsy, she leaves home and secures her first taste of freedom while... Michaela has grown up in a deeply religious family, in a small town in Germany, in the 1970's. Despite her long battle with epilepsy, she leaves home and secures her first taste of freedom while studying at the university. Her budding love for Stefan and her friendship with Hanna crack open the shell of faith and family within which she had always felt secure and protected. The result is a breakdown. Not a normal epileptic attack, but a frightening rush of grotesque faces and voices. Afraid of being sent back home to her family, Michaela seeks help from a priest who reinforces her conviction that she is possessed. Though Stefan and Hanna beg her to seek psychiatric help, they are unable to break through the dense religious and moral ties binding Michaela to her family. They have no choice but to leave her to her fate. The harrowing events portrayed are based on a true story which also inspired the US film, THE EXORCISM OF EMILY ROSE. --© IFC Films [More]
Starring: Sandra Huller, Burghart Klaussner, Imogen Kogge, Anna Blomeier
Starring: Sandra Huller, Burghart Klaussner, Imogen Kogge, Anna Blomeier, Nicholas Reinke
Director: Hans-Christian Schmid
Director: Hans-Christian Schmid
Studio: IFC Films
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Reviews for Requiem
Like The Exorcism of Emily Rose ... Requiem is loosely based on the real-life story of a West German woman who died in 1976 after a series of failed exorcisms.
Sandra Hueller leads a fine cast and gives a textured performance as wallflower Michaela who is suddenly freed when she goes out into the world, only to be done in by her inner, psychosis-driven demons.
Progresses in a natural, unforced style that's increasingly creepy and ultimately emotionally shattering.
Takes the flashback sequences from Exorcism of Emily Rose, removes all the supernatural scares, and tries to keep you interested.
Quietly devastating and unbearably moving, this is a soul-searching classic.
Bogumil Godfrejow's raw cinematography and (Sandra) Huller's poignant, close-to-the-bone performance transform what might have been a morbid curiosity into an entirely enthralling, quietly terrifying experience.
The movie ends a little too abruptly, but it features a heartrending performance from Sandra Huller that brought her the best actress award at this year's Berlin Film Festival.
[Sandra Hüller's] intensity is so compelling you truly have no idea if those demons are real.
Hüller's master class in acting is not only a portrait of a holy creature frenzied by otherworldly spirits but a voluptuous reflection of the pressures that accosted so many women of her character's age, time, and devotions.
Closely observed story of the mental and family pressures that can lead someone to accept an exorcism.
A naturalistic and thrillingly powerful film, with a stand-out performance from Hüller at its centre.
Working from an economical and intelligent script by Bernd Lange , Schmid directs his first feature with the easy conviction that eluded the makers of the preposterous Emily Rose.
You won't find rotating heads and vomit in the exorcism movie Requiem. Instead, German director Hans-Christian Schmid relies on a frighteningly realistic performance by Sandra Huller as blue-eyed blonde Michaela.
The film is incisive about the all-too-mundane social, physical and emotional pressures exacted upon its heroine.
A tragic tale of teen rebellion and misplaced faith, this is a sober and sobering account of a young girl's untimely end, made enthralling by great performances and restrained direction.
The confusion and panic and everyday interactions in Requiem feel honest and true-to-life, which has nothing to do with how factual it is, or isn't.
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