Requiem isn't a horror movie so much as a thwarted coming-of-age story, like Carrie without the bloody reckoning.
Requiem (2006)
Tomatometer
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Reviews Counted:34
Fresh:30
Rotten:4
Average Rating:7.4/10
Consensus: This harrowing, naturalistic drama holds you in its grip through Huller's intense performance.
Theatrical Release:Oct 18, 2006 Limited
Synopsis: Michaela has grown up in a deeply religious family, in a small town in Germany, in the 1970's. Despite her long battle with epilepsy, she leaves home and secures her first taste of freedom while... Michaela has grown up in a deeply religious family, in a small town in Germany, in the 1970's. Despite her long battle with epilepsy, she leaves home and secures her first taste of freedom while studying at the university. Her budding love for Stefan and her friendship with Hanna crack open the shell of faith and family within which she had always felt secure and protected. The result is a breakdown. Not a normal epileptic attack, but a frightening rush of grotesque faces and voices. Afraid of being sent back home to her family, Michaela seeks help from a priest who reinforces her conviction that she is possessed. Though Stefan and Hanna beg her to seek psychiatric help, they are unable to break through the dense religious and moral ties binding Michaela to her family. They have no choice but to leave her to her fate. The harrowing events portrayed are based on a true story which also inspired the US film, THE EXORCISM OF EMILY ROSE. --© IFC Films [More]
Starring: Sandra Huller, Burghart Klaussner, Imogen Kogge, Anna Blomeier
Starring: Sandra Huller, Burghart Klaussner, Imogen Kogge, Anna Blomeier, Nicholas Reinke
Director: Hans-Christian Schmid
Director: Hans-Christian Schmid
Studio: IFC Films
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Reviews for Requiem
A naturalistic and thrillingly powerful film, with a stand-out performance from Hüller at its centre.
Working from an economical and intelligent script by Bernd Lange , Schmid directs his first feature with the easy conviction that eluded the makers of the preposterous Emily Rose.
[Huller] combines the raw physicality of Michaela’s seizures with an emotional confusion as she ponders the cause of her attacks and how to react to them.
an intense, disturbing and bleak drama of ecstasy and insanity, all set in a world where, if there is a God at all, it truly requires a leap of faith into the dark to grasp Him.
The nonsensationalistic results are also somewhat ho-hum -- and oddly less convincing than Friedkin's lurid mess, let alone the elegant satanism sagas of Tourneur and Polanski.
Stage actress Sandra Huller delivers a stunning, understated performance...
The confusion and panic and everyday interactions in Requiem feel honest and true-to-life, which has nothing to do with how factual it is, or isn't.
Takes the flashback sequences from Exorcism of Emily Rose, removes all the supernatural scares, and tries to keep you interested.
A tragic tale of teen rebellion and misplaced faith, this is a sober and sobering account of a young girl's untimely end, made enthralling by great performances and restrained direction.
[Sandra Hüller's] intensity is so compelling you truly have no idea if those demons are real.
Requiem shows us with a sense of palpable reality (and without any special effects) what being -- or feeling -- possessed must be like for Michaela herself and her family.
The film is incisive about the all-too-mundane social, physical and emotional pressures exacted upon its heroine.
What matters in Requiem amounts to the fine performances, Schmid's assured hand, and the magnificent rustic scenery.
Sandra Hueller deservedly won an acting prize in Berlin (she could have taken home 'most conflicted character' as well).
Closely observed story of the mental and family pressures that can lead someone to accept an exorcism.
What cannot be debated is the strength of Huller's naturalistic lead performance, a frighteninglyn intense turn that brings to mind Emily Watson's work in Breaking the Waves.
In lesser hands, Requiem would seem merely bleak, but Schmid makes a rigorously urgent and compelling film out of Michaela's odyssey.
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| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
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