All the upright morality in the world doesn't compensate for poor filmmaking.
Days of Glory (2006)
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Reviews Counted:85
Fresh:70
Rotten:15
Average Rating:7.2/10
Consensus: Days of Glory is a powerful historical epic that pays homage to a valiant group of soldiers whose sacrifices have largely been forgotten.
Synopsis: There has never been a WWII film quite like Rachid Bouchareb's DAYS OF GLORY, which shows the "good war" through the eyes of four North African soldiers fighting for the French army during the... There has never been a WWII film quite like Rachid Bouchareb's DAYS OF GLORY, which shows the "good war" through the eyes of four North African soldiers fighting for the French army during the German occupation. Though similar in both structure and tone to Steven Spielberg's SAVING PRIVATE RYAN, GLORY seeks recognition for soldiers who were treated as second-class citizens during their service and never given their due. Under the leadership of Sergeant Martinez (Bernard Blancan), a company of North African soldiers undergoes a series of skirmishes across Italy and France, preventing the advance of the Nazis. Uneducated Said (Jamel Debbouzel, AMELIE), who had few options outside of enlistment, acts as a virtual servant to Martinez. Yassir (Samy Naceri) and his brother, Larbi (Assad Bouab), also come from poverty and--though they joined for selfish reasons--are fierce fighters. Messaoud (Roschdy Zem) is strong and silent, and has deadly aim with a rifle. Abdelkader (Sami Bouajila), however, is the ambitious one, unafraid to speak up when he and his company encounter prejudice, yet ever hopeful that he will be recognized for his achievements and be given the same liberty, equality, and fraternity as those who were born French. Through a series of bloody and spectacular battles with the Germans, these men risk their lives, never knowing what they will have at the end of it all. DAYS OF GLORY packs all the punch of a great war film---thrilling and heartbreaking battles, humor, and the loss of people we grow to care for. Bouchareb fearlessly uses a time-honored genre to address an elephant in the French living room: we are told at the film's conclusion that, in 1952, France voted to cease pension payments to soldiers from countries no longer under French rule. In 2006, following a screening of this film, Jacques Chirac reinstituted their pensions. [More]
Starring: Jamel Debbouze, Samy Naceri, Sami Bouajila, Roschdy Zem
Starring: Jamel Debbouze, Samy Naceri, Sami Bouajila, Roschdy Zem, Bernard Blancan, Mathieu Simonet, Giros. Benoit, Melanie Laurent, Antoine Chappey, Aurelie Eltvedt
Director: Rachid Bouchareb
Director: Rachid Bouchareb
Screenwriter: Olivier Lorelle
Producer: Jean Brehat
Studio: Weinstein Company
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Reviews for Days of Glory
The horror of "Days of Glory" is that its hate and tolerance are not relics from the past, but are as real today as the flickering shadows on the screen.
The movie is more about what happens between the battles than during them. It's the plight of the men, fighting for an army that considers them second-class citizens, that raises Days of Glory above your average war movie.
A cri de couer dressed out as a standard war film, Days of Glory is a well-made if blunt appeal for justice for the nearly forgotten Algerian soldiers who enlisted in the French Army in 1943.
Days of Glory may lack a certain complexity, but then courage under fire from all sides -- be it the enemy's weapons or your own country's disgusting bigotry -- is a pretty straightforward proposition. The plain facts are more than enough.
[Days of Glory's] grim, cynical portrayal of young men considered worthy enough to die for a foreign country, yet unworthy of being treated as equals, proves bluntly powerful.
Its message is dimmed by a procession of war and race movie clichés that even the excellent cast and epic cinematography cannot revive.
Rachid Bouchareb's Days of Glory, is a movingly acted, terrifically old-fashioned World War II picture rethought as a post-colonial rebuke.
The film also conveniently omits the fact that many other Arabs supported the Germans. That smoothing out of complex issues makes Indigenes more of a simple crowd pleaser than a genuinely challenging film.
Standard issue military fare that has a hard time standing apart from established classics of the combat genre.
Rachid Bouchareb's stirring war movie does for the North Africans what Ousmane Sembene and Thierno Faty Sow's Camp Thiaroye did for the Senegalese: it acknowledges the important role they played fighting alongside the French in World War II.
Few [war movies] are as moving as Days, but even so, this film doesn't romanticize. It's hard, clear, full of empathy for its characters and lucid in its insight into their plight.
The First French Army, composed mostly of 130,000 North Africans, were referred to contemptuously by the French as indigènes -- natives. Their bravery in wartime has never, until now, been adequately described in a movie.
Não tenho ilusões de que o Cinema, de modo geral, tenha forças para mudar o mundo. Vez por outra, porém, surge um trabalho que desafia as probabilidades e deixa sua pequena marca na História. E este parece ser o caso de Dias de Glória.
An Oscar nomination doesn't tell you why a particular film is so honored, so let me suggest that this one has a lot to do with the performance level.
Beautifully photographed, impeccably produced and wonderfully acted, but it offers no surprises...
A solidly-constructed window onto an era and a culture clash many Americans never knew existed.
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| 66% 66% | Public Enemies |
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