In the gutter, looking at something or other, but definitely not the stars.
Flanders (2006)
Tomatometer
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Reviews Counted:54
Fresh:37
Rotten:17
Average Rating:6.1/10
Consensus: Though Bruno Dumont recycles his typical themes and motifs, Flanders is also just as beautifully shot and convincingly acted as the director’s previous movies.
Theatrical Release:May 18, 2007 Limited
Synopsis: Flanders. Demester shares his time between his farm and walks with Barbe, his childhood friend. He loves her, secretly and painfully, accepting from her the little that she can give him. Along with... Flanders. Demester shares his time between his farm and walks with Barbe, his childhood friend. He loves her, secretly and painfully, accepting from her the little that she can give him. Along with others his age, Demester leaves to be a soldier in a war in a far off land. Barbarity, camaraderie and fear turn Demester into a warrior. As the seasons go by, Barbe, alone and wasting away, waits for the soldiers to return. Will Demester's intense love for Barbe save him? [More]
Starring: Samuel Boidin, Adelaide Leroux, Henri Cretel, Jean-Marie Bruveart
Starring: Samuel Boidin, Adelaide Leroux, Henri Cretel, Jean-Marie Bruveart
Director: Bruno Dumont
Director: Bruno Dumont
Screenwriter: Bruno Dumont
Producer: Rachid Bouchareb, Jean Brehat
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Reviews for Flanders
Dumont's ideas and insights have narrowed with this picture, his relaxed pacing now lethargic, his physically and mentally thick characters too familiar, and his ice-water shocks a bit predictable. It would seem self-parodic if it weren't so damn tragic.
Among his other deficiencies, Dumont is ... utterly humorless. ... Flanders will leave you nostalgic for the wacky hijinx of films like Persona and The Passion of the Christ.
Self-important film that presumes it has something pertinent to say about the human condition but doesn't.
An unpleasant exercise about the pointless, dehumanization of war, as well as the pointlessness of sex and perhaps even the pointlessness of existence itself.
Pretentious to the core and lacking any context or credible characterizations, Flanders juxtaposes bucolic scenes of life in a farm community, featuring a clutch of dim-witted rustics, with scenes of utter barbarity in an unspecified war.
...while it is a difficult film to relate to, one cannot dismiss its director's visual acuity and ability to provoke the mind.
[Director Dumont's] got a decent way of moving figures toward the vanishing point of a landscape. Otherwise, ugh.
Why would anyone want to spend time with these characters in the first place?
Dumont's gift for dramatic expression of physical space and sensuously conceived landscape is undeniable. If only he had attached a coherent story to his vividly evoked sense of surroundings.
I wish I could say that I liked Flanders, but it is almost as if Dumont has a checklist of what to include in his movies. For me, this film was more of the same.
This is not a film of youth or wisdom -- it's not even a film of real intelligence. And so we flit between war and relative peace, with no insight or feeling or compelling style.
The opening scenes of hardscrabble farms in Northern France present an utterly bleak existence. It's not surprising, then, that the villages' men don't bat an eye when they are called to fight in a brutal North African conflict.
The dour message it delivers doesn’t so much suggest that war is hell, but that existence certainly is.
Latest News for Flanders
November 14, 2007:
Sexual sneak peak at low IQ characters. ![]()
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May 17, 2007:
Critical Consensus: Third Time's Not the Charm for "Shrek"
America is going green this week: "Shrek the Third" (featuring the voices of Mike Meyers, Eddie Murphy, and Antonio Banderas) is our single new wide release. Critics... More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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