Dumont is much more confident when he sticks to the title town and the young woman the men left behind; his habit of alternating close shots with extreme long shots and his singularly unsentimental way of showing sex are as distinctive as ever.
Flanders (2006)
Tomatometer
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Reviews Counted:14
Fresh:11
Rotten:3
Average Rating:6.6/10
Consensus: Though Bruno Dumont recycles his typical themes and motifs, Flanders is also just as beautifully shot and convincingly acted as the director’s previous movies.
Theatrical Release:May 18, 2007 Limited
Synopsis: Flanders. Demester shares his time between his farm and walks with Barbe, his childhood friend. He loves her, secretly and painfully, accepting from her the little that she can give him. Along with... Flanders. Demester shares his time between his farm and walks with Barbe, his childhood friend. He loves her, secretly and painfully, accepting from her the little that she can give him. Along with others his age, Demester leaves to be a soldier in a war in a far off land. Barbarity, camaraderie and fear turn Demester into a warrior. As the seasons go by, Barbe, alone and wasting away, waits for the soldiers to return. Will Demester's intense love for Barbe save him? [More]
Starring: Samuel Boidin, Adelaide Leroux, Henri Cretel, Jean-Marie Bruveart
Starring: Samuel Boidin, Adelaide Leroux, Henri Cretel, Jean-Marie Bruveart
Director: Bruno Dumont
Director: Bruno Dumont
Screenwriter: Bruno Dumont
Producer: Rachid Bouchareb, Jean Brehat
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Reviews for Flanders
This film has few tangible pleasures, such as some somber shots of Demester walking far away in a field. Its achievement is theoretical.
The harsh and lovely achievement of Bruno Dumont's Flanders is its mixture of the concrete and the abstract. It isn't about a specific war. It's about conflict of every stripe, in any time.
French filmmaker Bruno Dumont urges his audience to delve beneath the movie's melodramatic, often graphic surface and experience the film sensorially rather than intellectually.
This is not a film of youth or wisdom -- it's not even a film of real intelligence. And so we flit between war and relative peace, with no insight or feeling or compelling style.
This deeply felt vision of the human condition has more resonance than yet another movie concluding that war is hell.
From the evidence of Flanders, Mr. Dumont’s career demands further study on my part should the opportunity arise.
Bruno Dumont. You either love the French filmmaker's abstract and minimalist approach, or you hate it. Count me among the former.
Whether you like or loathe Mr. Dumont’s movies, his unsettling vision of humanity stripped of cultural finery feels profoundly truthful. Beneath the facade of civilization, life is a barnyard.
[Director Dumont's] got a decent way of moving figures toward the vanishing point of a landscape. Otherwise, ugh.
The opening scenes of hardscrabble farms in Northern France present an utterly bleak existence. It's not surprising, then, that the villages' men don't bat an eye when they are called to fight in a brutal North African conflict.
A somber, beautifully acted reflection on the barbarity of war and the bestiality of man, which only enormous compassion can redeem.
Pretentious to the core and lacking any context or credible characterizations, Flanders juxtaposes bucolic scenes of life in a farm community, featuring a clutch of dim-witted rustics, with scenes of utter barbarity in an unspecified war.
Latest News for Flanders
November 14, 2007:
Sexual sneak peak at low IQ characters. ![]()
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May 17, 2007:
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