The plot is slimmer than a bowed string and lacks tension.
The Violin (2007)
Tomatometer
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Reviews Counted:33
Fresh:31
Rotten:2
Average Rating:7.2/10
Consensus: Vargas makes a strong debut with The Violin, which features crisp photography, a poetic screenplay, and a breakthrough performance by Tavira.
Theatrical Release:Dec 5, 2007 Limited
Synopsis: Don Plutarco, his son Genaro and his grandson Lucio live a double life: on one hand they are musicians and humble farmers, on the other they support the campesina peasant guerilla movement's armed... Don Plutarco, his son Genaro and his grandson Lucio live a double life: on one hand they are musicians and humble farmers, on the other they support the campesina peasant guerilla movement's armed efforts against the oppressive government. When the military seizes the village, the rebels flee to the sierra hills, forced to leave behind their stock of ammunition. While the guerillas organize a counter-attack, old Plutarco executes his own plan. He plays up his appearance as a harmless violin player, in order to get into the village and recover the ammunition hidden his corn field. His violin playing charms the army captain, who orders Plutarco to come back daily. Arms and music play a tenuous game of cat-and-mouse which ultimately results in painful betrayal.--© Film Movement [More]
Starring: Don Angel Tavira, Gerardo Taracena, Mario Garibaldi
Starring: Don Angel Tavira, Gerardo Taracena, Mario Garibaldi
Director: Francisco Vargas
Director: Francisco Vargas
Screenwriter: Francisco Vargas
Producer: Francisco Vargas
Composer: Cuauhtemoc Tavira
Studio: Film Movement
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Reviews for The Violin
Scores heavily as a mood-driven character exploration of the nature of familial love, duty, conflict and its impact on the innocent.
The Violin is so beautiful to look at, it almost wouldn't matter if it had a story. But it has one, and it's riveting.
A slightly meandering build-up is saved by a second half that really cooks, with Vargas ratcheting up the tension by flirting with genre convention in order to deal with Plutarco’s unconventional psychological stand-off with a malodorous Captain.
The austere monochrome photography gives the story a gravitas that’s reinforced by the dignity of the amateur cast.
An impressive debut for Mexican writer and director Francisco Vargas.
The weathered Tavina, who lost his hand in an accident at the age of 13, makes a fittingly indomitable hero. He's a character you're likely to remember - his face alone is worth a thousand words.
by turns shocking, observant, picturesque, and thought-provoking, the film is a moving expression of the tumultuous existence of countless Mexican lives.
Shot in a silvery black and white that lends a photojournalistic effect, this is not an easy film to sit through. But it will be a tough one to forget if you do.
Un retrato crudo y humano %u2013filmado en riguroso blanco y negro- sobre pequeños y grandes actos de rebeldía frente a las injusticias.
As far as battlefield-as-life parables go, humanity gets a fairer shake in Francisco Vargas's The Violin than in Bruno Dumont's Flanders.
Of course, there's Tavira, who, even if he never appears in another film, has left an indelible mark on cinema with his work here.
A movie of undeniable gravitas and monumentality -- even if it is too fond of its own effects.
A quietly gripping adversarial duel lies at the heart of this political thriller, which has been hailed as a masterpiece in Vargas's native Mexico.
Francisco Vargas makes a marvellous debut with his magnificent The Violin.
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