Francisco Vargas makes a marvellous debut with his magnificent The Violin.
The Violin (2007)
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Reviews Counted:33
Fresh:31
Rotten:2
Average Rating:7.2/10
Consensus: Vargas makes a strong debut with The Violin, which features crisp photography, a poetic screenplay, and a breakthrough performance by Tavira.
Theatrical Release:Dec 5, 2007 Limited
Synopsis: Don Plutarco, his son Genaro and his grandson Lucio live a double life: on one hand they are musicians and humble farmers, on the other they support the campesina peasant guerilla movement's armed... Don Plutarco, his son Genaro and his grandson Lucio live a double life: on one hand they are musicians and humble farmers, on the other they support the campesina peasant guerilla movement's armed efforts against the oppressive government. When the military seizes the village, the rebels flee to the sierra hills, forced to leave behind their stock of ammunition. While the guerillas organize a counter-attack, old Plutarco executes his own plan. He plays up his appearance as a harmless violin player, in order to get into the village and recover the ammunition hidden his corn field. His violin playing charms the army captain, who orders Plutarco to come back daily. Arms and music play a tenuous game of cat-and-mouse which ultimately results in painful betrayal.--© Film Movement [More]
Starring: Don Angel Tavira, Gerardo Taracena, Mario Garibaldi
Starring: Don Angel Tavira, Gerardo Taracena, Mario Garibaldi
Director: Francisco Vargas
Director: Francisco Vargas
Screenwriter: Francisco Vargas
Producer: Francisco Vargas
Composer: Cuauhtemoc Tavira
Studio: Film Movement
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Reviews for The Violin
It's all stripped down to a conflict more abstract than historical, a fable of heroic defiance in the face of brutal oppression.
Another sort of movie would find a feelgood way of resolving the story; Vargas's vision is more grim and more realistic, but it is persuasively real, and in Tavira the director has found a natural star of the screen.
Un retrato crudo y humano %u2013filmado en riguroso blanco y negro- sobre pequeños y grandes actos de rebeldía frente a las injusticias.
Stark but absorbing drama follows an aging musician, beautifully played by Don Angel Tavira, who fiddles his way into the front lines of Mexico's peasant revolts during the 1970s.
As far as battlefield-as-life parables go, humanity gets a fairer shake in Francisco Vargas's The Violin than in Bruno Dumont's Flanders.
by turns shocking, observant, picturesque, and thought-provoking, the film is a moving expression of the tumultuous existence of countless Mexican lives.
Told with ruthless efficiency and no sentiment or sermonizing, stands as a fitting tribute to the human spirit.
The tiny, tough, sneakily moving film The Violin wears its revolutionary romanticism on its sleeve, not far from its gun.
The film’s strongest asset is octogenarian newcomer Tavira, who exudes stoic dignity.
The Violin is so beautiful to look at, it almost wouldn't matter if it had a story. But it has one, and it's riveting.
A movie of undeniable gravitas and monumentality -- even if it is too fond of its own effects.
A slightly meandering build-up is saved by a second half that really cooks, with Vargas ratcheting up the tension by flirting with genre convention in order to deal with Plutarco’s unconventional psychological stand-off with a malodorous Captain.
The weathered Tavina, who lost his hand in an accident at the age of 13, makes a fittingly indomitable hero. He's a character you're likely to remember - his face alone is worth a thousand words.
A quietly gripping adversarial duel lies at the heart of this political thriller, which has been hailed as a masterpiece in Vargas's native Mexico.
Subversive musical warriors confront political injustice through the powers of the seductive artistic imagination.
The film from first-timer Francisco Vargas puts a human face on universal suffering. It is also about the power of music, as the title instrument saves (for a while anyway) three generations of peasant men in their roles as guerrilla fighters.
Tavira's acting is the high point of this suspenseful yet beautiful movie, which -- for a while at least -- proves that music can soothe the savage breast.
You may not remember how exactly this trio passed the time during most of the film's too-spare 98 minutes, but Plutarco is a character you likely won't forget.
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