the best Verhoeven film since Basic Instinct -- if only that were a bigger compliment.
Black Book (2007)
Tomatometer
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Reviews Counted:142
Fresh:107
Rotten:35
Average Rating:7/10
Consensus: A furious mix of sex, violence, and moral relativism, Black Book is shamelessly entertaining melodrama.
Theatrical Release:Apr 4, 2007 Limited
Box Office: $4,339,526
Synopsis: Dutch filmmaker Paul Verhoeven made his name in Hollywood with films such as ROBOCOP, BASIC INSTINCT, and STARSHIP TROOPERS. But Verhoeven got his start in the industry by making films (the... Dutch filmmaker Paul Verhoeven made his name in Hollywood with films such as ROBOCOP, BASIC INSTINCT, and STARSHIP TROOPERS. But Verhoeven got his start in the industry by making films (the acclaimed SPETTERS and SOLDIER OF ORANGE among them) in his native country, and it's to Holland that he returns for BLACK BOOK--his first Dutch film in 20 years. The story is set during the final days of World War II in Holland, and follows a Jewish singer named Rachel Stein (Carice Van Houten). Rachel attempts to avoid the Nazis and remains in quiet hiding until her family is brutally slain, causing her to join up with a resistance movement. On a subsequent undercover mission, Rachel crosses paths with a smitten German general named Ludwig Muntze (Sebastian Koch), with whom Rachel begins a relationship in order to feed vital information back to her colleagues in the resistance. But as the action and bloodshed escalate, Rachel realizes that she has genuine feelings for Muntze, and soon she is in enormous danger. Verhoeven's film is wildly ambitious and takes many intriguing twists and turns during its 145 minutes. BLACK BOOK commanded the largest budget of any film to be produced in Holland, and it shows. Explosions litter the screen, plenty of car chases ensue, and wince-inducing injuries and deaths propel the action. The director isn't afraid to criticize his fellow countrymen and inserts a fascinating subtext about the actions of the resistance fighters, asking some uncomfortable questions about the similarities between their behavior and that of the Nazis. Van Houten lights up the screen throughout and is surely destined for bigger things, and while the tumultuous experiences her character undergoes might push the boundaries of reality at times, Verhoeven has pointed out in interviews that Rachel is a composite character who encompasses the merged experiences of many real people from the era. [More]
Starring: Carice Van Houten, Sebastian Koch, Thom Hoffman, Derek De Lint
Starring: Carice Van Houten, Sebastian Koch, Thom Hoffman, Derek De Lint, Halina Reijn, Christian Berkel, Michiel Huisman, Peter Blok
Director: Paul Verhoeven
Director: Paul Verhoeven
Screenwriter: Paul Verhoeven, Gerard Soeteman
Producer: San Fu Maltha, Jos van der Linden
Composer: Anne Dudley
Studio: Sony Pictures Classics
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Release:
Sep 25, 2007
Reviews for Black Book
(...) A uno le parece estar viendo más un detrás de cámaras que una película en serio, esperando que el director grite "corten" en cualquier momento y que el equipo aplauda por lo bien que salió la toma.
Verhoeven simplesmente mantém sua obsessão habitual com sexo e violência (geralmente combinando os dois), mas sem qualquer sofisticação narrativa ou visual.
Stout-hearted celebration of the Dutch Resistance or total smut? Try both.
It's a messy, colorful big-screen entertainment that veers from sober period piece to outrageous melodrama, which is to say it's a Verhoeven movie.
Pushes all sorts of envelopes -- political, historical and erotic -- against the sanctified background of the Nazi Holocaust, hitherto unthinkable as the linchpin of a lively melodrama like Black Book.
Initially Black Book reminded me of the wonderfully engrossing war movies that have been coming out of Germany and Holland lately. Then I was reminded that it's Paul Verhoeven behind the camera, which explains the pulp melodrama and superhuman exploits of
Far from turning serious, the director of Basic Instinct has proved that, when it comes to grappling with good and evil, his instincts aren’t basic enough.
Paul Verhoeven's well-acted but overblown (and overly long) WWII thriller ... is like The Diary of Anne Frank by way of Basic Instinct.
But Verhoeven's films are not meant to offer profound moral insights. And "Black Book" does not aspire to historical accuracy. Instead, "Black Book" is pure entertainment, of the hollow variety. Verhoeven gives you your money's worth of titillation...
The screenplay could in fact have just as easily served as the template for a Roland Emmerich/Dean Devlin turkey
Verhoeven may indulge his lurid tendencies, but he has delivered a film that stays tense and suspenseful for its lengthy running time.
A look at humans under the inhuman stress of war that is more nuanced than almost any grand-scale war film.
A slick, thrilling, trashy, melodramatic and serialesque soap opera adventure which conceals the complex tale of moral ambiguity beneath.
Its failings are substantial, yet the fact that it's overblown and incredible doesn't entirely outweigh the fact that it's also exciting, fascinating, sexy, and thrilling.
Despite the picture's subtitles and its imposing 145-minute running time, Black Book maintains a breakneck pace, pausing only long enough to raise some very interesting questions.
Paul Verhoeven's target in Black Book is extremists on both sides of the political equation
It's engaging as an espionage thriller and as a story of courage and determination.
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