Verhoeven porte un regard des plus évocateurs sur les nombreuses nuances de la Seconde Guerre mondiale
Black Book (2007)
Tomatometer
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Reviews Counted:142
Fresh:107
Rotten:35
Average Rating:7/10
Consensus: A furious mix of sex, violence, and moral relativism, Black Book is shamelessly entertaining melodrama.
Theatrical Release:Apr 4, 2007 Limited
Box Office: $4,339,526
Synopsis: Dutch filmmaker Paul Verhoeven made his name in Hollywood with films such as ROBOCOP, BASIC INSTINCT, and STARSHIP TROOPERS. But Verhoeven got his start in the industry by making films (the... Dutch filmmaker Paul Verhoeven made his name in Hollywood with films such as ROBOCOP, BASIC INSTINCT, and STARSHIP TROOPERS. But Verhoeven got his start in the industry by making films (the acclaimed SPETTERS and SOLDIER OF ORANGE among them) in his native country, and it's to Holland that he returns for BLACK BOOK--his first Dutch film in 20 years. The story is set during the final days of World War II in Holland, and follows a Jewish singer named Rachel Stein (Carice Van Houten). Rachel attempts to avoid the Nazis and remains in quiet hiding until her family is brutally slain, causing her to join up with a resistance movement. On a subsequent undercover mission, Rachel crosses paths with a smitten German general named Ludwig Muntze (Sebastian Koch), with whom Rachel begins a relationship in order to feed vital information back to her colleagues in the resistance. But as the action and bloodshed escalate, Rachel realizes that she has genuine feelings for Muntze, and soon she is in enormous danger. Verhoeven's film is wildly ambitious and takes many intriguing twists and turns during its 145 minutes. BLACK BOOK commanded the largest budget of any film to be produced in Holland, and it shows. Explosions litter the screen, plenty of car chases ensue, and wince-inducing injuries and deaths propel the action. The director isn't afraid to criticize his fellow countrymen and inserts a fascinating subtext about the actions of the resistance fighters, asking some uncomfortable questions about the similarities between their behavior and that of the Nazis. Van Houten lights up the screen throughout and is surely destined for bigger things, and while the tumultuous experiences her character undergoes might push the boundaries of reality at times, Verhoeven has pointed out in interviews that Rachel is a composite character who encompasses the merged experiences of many real people from the era. [More]
Starring: Carice Van Houten, Sebastian Koch, Thom Hoffman, Derek De Lint
Starring: Carice Van Houten, Sebastian Koch, Thom Hoffman, Derek De Lint, Halina Reijn, Christian Berkel, Michiel Huisman, Peter Blok
Director: Paul Verhoeven
Director: Paul Verhoeven
Screenwriter: Paul Verhoeven, Gerard Soeteman
Producer: San Fu Maltha, Jos van der Linden
Composer: Anne Dudley
Studio: Sony Pictures Classics
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Release:
Sep 25, 2007
Reviews for Black Book
Even Verhoven's art house movies are a balancing act between vivid storytelling and exploitation.
Broadly drawn and ballsy, the movie features horrendous violence and stupefying melodrama: it's WWII without the usual sober romance, the Greatest Generation meets Starship Troopers.
Carice van Houten is a persuasive heroine -- beautiful, daring, wry and, when it counts, poignant.
...wildly entertaining and borderline incoherent, like Hogan's Heroes re-imagined by Joe Eszterhas, the movie whips along oblivious to hairpin plot turns, shaking off incredulous moviegoers all the while.
Initially Black Book reminded me of the wonderfully engrossing war movies that have been coming out of Germany and Holland lately. Then I was reminded that it's Paul Verhoeven behind the camera, which explains the pulp melodrama and superhuman exploits of
It's a strange and beguiling mainstream action film that didn't seem plausible or did it emotionally move me.
...a film about survival and fighting back... one of the most engrossing and riveting films released this year.
features the jolting violence and frank sensuality Verhoeven is known for, as well as something he hasn't had in a quite a while: an intelligent, riveting screenplay. ...gripping from beginning to end.
Black Book will drive home the struggles of world war underground resistance. But as my colleague said, you will snicker a little.
Paul Verhoeven's well-acted but overblown (and overly long) WWII thriller ... is like The Diary of Anne Frank by way of Basic Instinct.
For a film that runs over two and one-half hours, the time flies thanks in no small part to the effortless lead performance of van Houten and the large supporting cast.
Verhoeven never loses sight of the larger message -- that in those evil times, ordinary people were forced to do extraordinary, and even awful, things just to live long enough to tell their tale.
Though the wartime scenario seems authentic enough and includes several ambitious action-filled set pieces, the sprawling portrait of sacrifice and innocence spoiled is tainted by lurid and occasionally tasteless scenes.
Leading lady van Houten seems game for anything her director throws at her. She exudes a happy sexuality that kept me watching well past the point of losing interest in the plot. Koch is terrific as her German lover.
Though Verhoeven and co-screenwriter Gerard Soeteman supposedly based this espionage tale on some real events and real people, much of it simply doesn't ring true.
Black Book rides the line between high drama and cheap exploitation - which, for Verhoeven, is a marked improvement.
Sometimes plays like Nomi Malone vs. the Nazis, but that's exactly why it works so well.
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