A while back, Steven Soderbergh released his salute to '40s war dramas with The Good German. He should've just let Paul Verhoeven do it.
Black Book (2007)
Tomatometer
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Reviews Counted:142
Fresh:107
Rotten:35
Average Rating:7/10
Consensus: A furious mix of sex, violence, and moral relativism, Black Book is shamelessly entertaining melodrama.
Theatrical Release:Apr 4, 2007 Limited
Box Office: $4,339,526
Synopsis: Dutch filmmaker Paul Verhoeven made his name in Hollywood with films such as ROBOCOP, BASIC INSTINCT, and STARSHIP TROOPERS. But Verhoeven got his start in the industry by making films (the... Dutch filmmaker Paul Verhoeven made his name in Hollywood with films such as ROBOCOP, BASIC INSTINCT, and STARSHIP TROOPERS. But Verhoeven got his start in the industry by making films (the acclaimed SPETTERS and SOLDIER OF ORANGE among them) in his native country, and it's to Holland that he returns for BLACK BOOK--his first Dutch film in 20 years. The story is set during the final days of World War II in Holland, and follows a Jewish singer named Rachel Stein (Carice Van Houten). Rachel attempts to avoid the Nazis and remains in quiet hiding until her family is brutally slain, causing her to join up with a resistance movement. On a subsequent undercover mission, Rachel crosses paths with a smitten German general named Ludwig Muntze (Sebastian Koch), with whom Rachel begins a relationship in order to feed vital information back to her colleagues in the resistance. But as the action and bloodshed escalate, Rachel realizes that she has genuine feelings for Muntze, and soon she is in enormous danger. Verhoeven's film is wildly ambitious and takes many intriguing twists and turns during its 145 minutes. BLACK BOOK commanded the largest budget of any film to be produced in Holland, and it shows. Explosions litter the screen, plenty of car chases ensue, and wince-inducing injuries and deaths propel the action. The director isn't afraid to criticize his fellow countrymen and inserts a fascinating subtext about the actions of the resistance fighters, asking some uncomfortable questions about the similarities between their behavior and that of the Nazis. Van Houten lights up the screen throughout and is surely destined for bigger things, and while the tumultuous experiences her character undergoes might push the boundaries of reality at times, Verhoeven has pointed out in interviews that Rachel is a composite character who encompasses the merged experiences of many real people from the era. [More]
Starring: Carice Van Houten, Sebastian Koch, Thom Hoffman, Derek De Lint
Starring: Carice Van Houten, Sebastian Koch, Thom Hoffman, Derek De Lint, Halina Reijn, Christian Berkel, Michiel Huisman, Peter Blok
Director: Paul Verhoeven
Director: Paul Verhoeven
Screenwriter: Paul Verhoeven, Gerard Soeteman
Producer: San Fu Maltha, Jos van der Linden
Composer: Anne Dudley
Studio: Sony Pictures Classics
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Release:
Sep 25, 2007
Reviews for Black Book
By the end, Black Book no longer makes sense, the plot having twisted around itself so much that we're left with a bunch of knots.
A lurid, pulpy, slightly perverse potboiler, Black Book suffers mainly from its utter lack of seriousness.
For fans of compelling cinema in general and Verhoeven in particular, [Black Book's] release is a cause for celebration.
Stout-hearted celebration of the Dutch Resistance or total smut? Try both.
It's just another Ilsa, She-Wolf of the SS disguised as an inspirational story of survival and courage.
Commercial moviemaking of the highest order, superbly mounted and paced.
The director of 'Hollow Man' and 'Showgirls' made a movie about the Holocaust. You were expecting something classy?
Pushes all sorts of envelopes -- political, historical and erotic -- against the sanctified background of the Nazi Holocaust, hitherto unthinkable as the linchpin of a lively melodrama like Black Book.
All that keeps the movie from collapsing into soap opera is the exuberant drive of the filmmaking. And the central performance. Van Houten is pretty without being beautiful.
Some may find scenes excessive and take offense at the suggestion that there were good Nazis like Ludwig. But one thing that can be said for Black Book: It's never boring.
Its essential trashiness too often takes over. Rather than wondering about Rachel/Ellis' dilemma, you find yourself pondering Verhoeven's consistency in setting up bedroom shots so that there's always a nipple in the frame.
A gripping story of duplicity, intrigue and evil that grabs your attention from the very first frame and never lets go.
With the release of his World War II thriller 'Black Book', Verhoeven has entered the realm of classics like 'Schindler's List' and 'The Pianist'.
Verhoeven has succeeded in injecting a bit of energy into this tired genre, and that's a major achievement.
The movie scrambles our responses and covers so much ground, with such zest, that its two and a half hours race past like a firestorm.
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