What was needed was the Frontline approach; what is provided, sadly, is Brian de Palma Lite.
Cocaine Cowboys (2006)
Tomatometer
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Reviews Counted:49
Fresh:34
Rotten:15
Average Rating:6.4/10
Consensus: As frenetic, thrilling, and lacking in subtletly as its drug of focus...and just as likely to prompt some hard questions after it's gone.
Theatrical Release:Oct 27, 2006 Limited
Synopsis: The cocaine trade of the 70s and 80s had an indelible impact on contemporary Miami. Smugglers and distributors forever changed a once sleepy retirement community into one of the world's most... The cocaine trade of the 70s and 80s had an indelible impact on contemporary Miami. Smugglers and distributors forever changed a once sleepy retirement community into one of the world's most glamorous hot spots, the epicenter of a $20 billion annual business fed by Colombia's Medellin cartel. By the early 80s, Miami's tripled homicide rate had made it the murder capital of the country, for which a Time cover story dubbed the city "Paradise Lost." With COCAINE COWBOYS, filmmaker Billy Corben – whose first feature Raw Deal: A Question Of Consent, caused a sensation at the 2001 Sundance Film Festival – paints a dazzling portrait of a cultural explosion that still echoes as Hollywood myth, evidenced by the latest manifestation, NBC/Universal's Miami Vice, opening July 28th. Composer of the original "Miami Vice" theme, Jan Hammer, provides the score. --© Magnolia Pictures [More]
Director: Billy Corben
Director: Billy Corben
Studio: Magnolia Pictures
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Reviews for Cocaine Cowboys
At nearly two hours, Cocaine Cowboys (appropriately) doesn't know when to stop talking, but as a chronicle of a demented epoch, it's both entertaining and just about definitive.
There's so much compelling material here, all of it salacious and dangerous and so enjoyable that you might just feel a little guilty afterward.
Fast-paced and fascinating, but a little too frenetic for its own good.
Aiming for encyclopedic coverage of the drug epidemic and its effect on the city, Corben packs much too much into one movie.
Informative documentary filmmaking that belongs as much on library shelves and agency case files as in your local theatre.
It’s the sort of glamour-meets-violence drugs-crime story on which lads’ mags thrive: unqualified, over-reverent and hysterical.
A hyperventilating account of the blood-drenched Miami drug culture in the 1970s and 80s.
The haystacks of cash and coke are laughably insane – as is the head-count: thousands of people were gunned to death. This is the only state in the world where Scarface might raise a smile.
Cocaine Cowboys is gleefully manipulative -- which is meant as a compliment. Edited for maximum impact, it packs the furious momentum and dramatic punch of a riveting feature film.
It's watchable, but like gorging on every rotten issue of the old Confidential magazine.
Cocaine Cowboys is a fascinating look at a time when Miami was so flush with cash from cocaine deals that it was completely buffered from a nationwide recession.
Set during the cocaine wars of the late '70s and early '80s, this documentary is out to reveal how Miami vice really worked.
Cocaine Cowboys’ pulpy entertainment value merely lures us into a grim, kaleidoscopic look at how one city was both destroyed and, ironically, eventually saved by some of the worst human beings to walk the Earth.
Sure, the bombast is extreme, and, yes, it spends more time on tall tales than impact reports, but this vigorous, energetic doc captures the allure of a business that has never thrived on subtlety.
An exhilarating documentary that details the chaos, glamour and greed of the drug industry in Miami during the 1970s and '80s.
At half the length it would have been twice as good, but nevertheless it stokes a nostalgia some may have for a magic period in Miami history when it was ever so briefly the American Casablanca.
Fans of Scarface and even Goodfellas will definitely get their thrills.
While it's a bit haphazardly organized and offers only a cursory analysis of the drug war's impact on the city, Billy Corben's second documentary is ultimately as compelling as any pulp yarn.
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