Director Alberto Lattuada's seriocomic 1962 look at the Sicilian mob lifestyle broke the omerta, providing a look at the sordidly fascinating life of the wiseguy.
Mafioso (1962)
Tomatometer
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Reviews Counted:51
Fresh:49
Rotten:2
Average Rating:8.2/10
Consensus: Mafioso begins as an amusing farce and skillfully transforms into a portentous social drama.
Theatrical Release:Jan 19, 2007 Limited
Starring: Alberto Sordi, Norma Bengell
Starring: Alberto Sordi, Norma Bengell
Director: Alberto Lattuada
Director: Alberto Lattuada
Studio: Rialto Pictures
Reviews for Mafioso
The film ripens in an unanticipated way, nimbly shifting from near farce to something quite a bit darker.
The sort of masterpiece that will obliterate memories of lesser, later efforts in the 'meeting the parents' comedy lineage. Brilliant.
This is brilliant, subtle acting. And Lattuada's filmmaking matches it, with his blend of neo-realism and easy theatricality. He doesn't waste a shot.
Filmed in Milan, Sicily, and New York, Alberto Lattuada's 1962 black comedy is one of his most critically suc
It takes a while to adjust to its rhythm, but this is essential viewing for cinephiles.
[Alberto Sordi has] a marvelous performance in a marvelous movie, one that sneaks up on you while you're watching it.
The transitional gears never grind. They just keep clicking until you know you're along for the entire ride.
In Mafioso, the first film about the Mafia, Lattuada shows tremendous facility in blending comedy, tragedy, and pathos in a dark tale about the impact of family visit on a Sicilian from Milan, splendidly played by Alberto Sordi.
It captures, in a stark yet haunting way, the indelible fact that no man is born a mobster.
An exuberant and always riveting mosaic of comedy, drama, social comment, suspense, psychological insight and travelogue.
In class dynamics, Mafioso infiltrates every facet of life, summing up the rudimentary boredom of the man from Milan while not turning a deaf ear to the crimes of the Sicilian assassin.
Mafioso may be 45 years old, but it's as bracingly relevant as anything else in theaters today. Even in the heat of a dry Sicilian summer, the film looks fresh as a lemon tree. And when you bite down hard, it's just as bitter.
Some viewers may feel betrayed when the film’s light-hearted and gently mocking attitude suddenly turns deadly serious. I thought it was breathtaking.
Lattuada ... crisply addresses relevant issues of national and personal identity while never neglecting his film's underlying humor.
... as he grows more real and complex, it becomes impossible to regard this very funny film simply as a comedy.
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January 18, 2007:
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