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Vitus (2007)
Tomatometer
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Reviews Counted:58
Fresh:37
Rotten:21
Average Rating:6.6/10
Consensus: Though not highly original, Vitus is slightly redeemed by its charm and compelling performances.
Rated: PG [See Full Rating] for mild thematic elements and language.
Runtime: 2 hrs 3 mins
Genre: Foreign Films
Theatrical Release:Jun 29, 2007 Limited
Box Office: $28,098
Synopsis: In this engaging drama from Switzerland, a child prodigy finds a unique way of dealing with being different. Vitus is no normal child. With a 180 IQ, a voracious appetite for knowledge, and a... In this engaging drama from Switzerland, a child prodigy finds a unique way of dealing with being different. Vitus is no normal child. With a 180 IQ, a voracious appetite for knowledge, and a preternatural gift at playing the piano, he finds it hard to fit in with his peers. Like many parents of exceptional children, his mother and father (Julika Jenkins and Urs Jucker) are overbearing, eager to see their child succeed. But as his parents push and fellow children jeer, Vitus's grandfather (Bruno Ganz, THE DOWNFALL) simply allows the boy to be himself. Though VITUS follows the blueprint for childhood prodigy movies (such as SEARCHING FOR BOBBY FISCHER and the first act of SHINE) a bit too closely at times, it's saved by a great cast and some interesting twists. As the 12-year-old Vitus, Teo Gheorghiu, himself a piano prodigy, heightens the sense of realism in the film. The classic music he plays is beautiful, and the actor's playing itself is remarkable. Audiences used to seeing hand doubles in films about musicians will be presently surprised to see that there aren't any cuts, displaying Gheorghiu's incredible talent. Veteran actor Ganz has literally played everything from an angel to Hitler in his decades-long career, and he's wonderful here as Vitus's warm grandfather and best friend. As a result of great performances like these, it's easy to see why VITUS was the Swiss entry to the Oscars. Though VITUS follows the blueprint for childhood prodigy movies (such as SEARCHING FOR BOBBY FISCHER and the first act of SHINE) a bit too closely at times, it's saved by a great cast and some interesting twists. As the 12-year-old Vitus, Teo Gheorghiu, himself a piano prodigy, heightens the sense of realism in the film. The classic music he plays is beautiful, and the actor's playing itself is remarkable. Audiences used to seeing hand doubles in films about musicians will be presently surprised to see that there aren't any cuts, displaying Gheorghiu's incredible talent. Veteran actor Ganz has literally played everything from an angel to Hitler in his decades-long career, and he's wonderful here as Vitus's warm grandfather and best friend. As a result of great performances like these, it's easy to see why VITUS was the Swiss entry to the Oscars. [More]
Starring: Teo Gheorghiu, Bruno Ganz, Julika Jenkins, Urs Jucker
Starring: Teo Gheorghiu, Bruno Ganz, Julika Jenkins, Urs Jucker
Director: Fredi M. Murer
Director: Fredi M. Murer
Screenwriter: Fredi M. Murer
Producer: Christian Davi, Christof Neracher
Composer: Mario Beretta
Studio: Sony Pictures Classics
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Reviews for Vitus
If I had to select one movie genre to never withstand again, it would be the precocious- child-shows- adults-the- way-to- a-better- more-heartwarming- future drama, a genre the new Vitus practically defines.
The film pushes an off-putting message about unchecked privilege that reeks of capitalist pigdom.
If writer-director Fredi Murer had sparked a more rebellious spirit within the project, he might have made a truly memorable fantasy for both children and adults.
Una película interesante, si bien no original, sobre lo que significa crecer siendo un niño prodigio. Sorprendentes actuaciones de los pequeños protagonistas, junto al veterano y experto Bruno Ganz.
To those of us for whom there can never be enough film dramas with a classical music backdrop, Vitus comes as a bit of a disappointment.
Some of the moments of whimsy seem calculated specifically to cut together a theatrical trailer.
Veteran Swiss filmmaker Fredi M. Murer's sentimental fable about a child prodigy and his difficulty fitting in with a world of ordinary people is poised somewhere between Searching For Bobby Fisher and Little Man Tate.
This was Switzerland’s entry for the 2006 Oscars, and you can see why. Like most award-seeking crowd-pleasers, it places uncomfortable impulses in opposition then dramatizes them in the most unchallenging way imaginable.
...fairy tales are really horror shows, and the idea of children as anything other than miniature adults with the full complement of ugly motives is a relatively recent one.
Director Fredi Murer strains too hard for it to be something more, a magical opus about childhood and taking flight, in this instance literally and figuratively. You wind up feeling manipulated instead of emotionally moved.
... inconsequential fun that sells out the human story with an abrupt third-act turn from childhood rebellion to junior con game.
There are some likable elements to this unusual, erratic, ultimately frustrating film.
Latest News for Vitus
June 04, 2007:
Trailer & Poster review ![]()
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