considers the adult world, and the genius coming of age in it, with delicacy, compassion, and the subtle humor of the human comedy at large.
Vitus (2007)
Tomatometer
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Reviews Counted:58
Fresh:37
Rotten:21
Average Rating:6.6/10
Consensus: Though not highly original, Vitus is slightly redeemed by its charm and compelling performances.
Rated: PG [See Full Rating] for mild thematic elements and language.
Runtime: 2 hrs 3 mins
Genre: Foreign Films
Theatrical Release:Jun 29, 2007 Limited
Box Office: $28,098
Synopsis: In this engaging drama from Switzerland, a child prodigy finds a unique way of dealing with being different. Vitus is no normal child. With a 180 IQ, a voracious appetite for knowledge, and a... In this engaging drama from Switzerland, a child prodigy finds a unique way of dealing with being different. Vitus is no normal child. With a 180 IQ, a voracious appetite for knowledge, and a preternatural gift at playing the piano, he finds it hard to fit in with his peers. Like many parents of exceptional children, his mother and father (Julika Jenkins and Urs Jucker) are overbearing, eager to see their child succeed. But as his parents push and fellow children jeer, Vitus's grandfather (Bruno Ganz, THE DOWNFALL) simply allows the boy to be himself. Though VITUS follows the blueprint for childhood prodigy movies (such as SEARCHING FOR BOBBY FISCHER and the first act of SHINE) a bit too closely at times, it's saved by a great cast and some interesting twists. As the 12-year-old Vitus, Teo Gheorghiu, himself a piano prodigy, heightens the sense of realism in the film. The classic music he plays is beautiful, and the actor's playing itself is remarkable. Audiences used to seeing hand doubles in films about musicians will be presently surprised to see that there aren't any cuts, displaying Gheorghiu's incredible talent. Veteran actor Ganz has literally played everything from an angel to Hitler in his decades-long career, and he's wonderful here as Vitus's warm grandfather and best friend. As a result of great performances like these, it's easy to see why VITUS was the Swiss entry to the Oscars. Though VITUS follows the blueprint for childhood prodigy movies (such as SEARCHING FOR BOBBY FISCHER and the first act of SHINE) a bit too closely at times, it's saved by a great cast and some interesting twists. As the 12-year-old Vitus, Teo Gheorghiu, himself a piano prodigy, heightens the sense of realism in the film. The classic music he plays is beautiful, and the actor's playing itself is remarkable. Audiences used to seeing hand doubles in films about musicians will be presently surprised to see that there aren't any cuts, displaying Gheorghiu's incredible talent. Veteran actor Ganz has literally played everything from an angel to Hitler in his decades-long career, and he's wonderful here as Vitus's warm grandfather and best friend. As a result of great performances like these, it's easy to see why VITUS was the Swiss entry to the Oscars. [More]
Starring: Teo Gheorghiu, Bruno Ganz, Julika Jenkins, Urs Jucker
Starring: Teo Gheorghiu, Bruno Ganz, Julika Jenkins, Urs Jucker
Director: Fredi M. Murer
Director: Fredi M. Murer
Screenwriter: Fredi M. Murer
Producer: Christian Davi, Christof Neracher
Composer: Mario Beretta
Studio: Sony Pictures Classics
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Reviews for Vitus
This was Switzerland’s entry for the 2006 Oscars, and you can see why. Like most award-seeking crowd-pleasers, it places uncomfortable impulses in opposition then dramatizes them in the most unchallenging way imaginable.
Veteran Swiss filmmaker Fredi M. Murer's sentimental fable about a child prodigy and his difficulty fitting in with a world of ordinary people is poised somewhere between Searching For Bobby Fisher and Little Man Tate.
There are few movies more infuriating than those that completely misjudge our reaction to their main characters -- and Vitus, alas, is at the head of that class.
If writer-director Fredi Murer had sparked a more rebellious spirit within the project, he might have made a truly memorable fantasy for both children and adults.
A charming coming-of-age drama featuring a protagonist who becomes a modern-day anti-Icarus.
To those of us for whom there can never be enough film dramas with a classical music backdrop, Vitus comes as a bit of a disappointment.
The film never settles on a consistent tone: Is this a whimsical fairy tale or an earnest family drama? As Emperor Joseph once complained to Mozart: Too many notes.
An enchanting Swiss movie about a musical prodigy and his loving grandfather who nurtures his dream and gives him the space to be himself.
The film pushes an off-putting message about unchecked privilege that reeks of capitalist pigdom.
As in Full Moon, director Fredi M. Murer brings a delicately sweet but never cloying sensibility.
As a parable of fairy-tale genius coping with a world of normality, Vitus is enriching satire.
'Vitus' could show a blank screen, play the soundtrack, and still be more intelligent than half the movies at the multiplex.
It is the rare family film that never condescends and offers enough of a story to entertain both parent and child.
Old-fashioned but enjoyable and touching, the Swiss Vitus contributes to a growing body of films about dilemmas faced by a child prodigy and his parents, much in the vein of Seraching for Bobby Fischer; as the boy's grandfather, Bruno Ganz is terrific
Vitus packs an emotional wallop of the standing ovation variety during its final 20 minutes, even if the road there is long and windy.
Pic is a fine example of old-fashioned story-telling and also will dance wherever detailed character development and leisurely-paced drama are appreciated.
Latest News for Vitus
June 04, 2007:
Trailer & Poster review ![]()
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