The Boss of It All (2007)
Runtime: 1 hr 40 mins
Theatrical Release: May 23, 2007 Limited
Synopsis: Controversial yet always-interesting filmmaker Lars von Trier takes a surprising turn with THE BOSS OF IT ALL. Von Trier shackles his film to a traditional narrative structure, hitting cinematic heights he's been unable to reach since early efforts such as THE IDIOTS and BREAKING THE... Controversial yet always-interesting filmmaker Lars von Trier takes a surprising turn with THE BOSS OF IT ALL. Von Trier shackles his film to a traditional narrative structure, hitting cinematic heights he's been unable to reach since early efforts such as THE IDIOTS and BREAKING THE WAVES. Indeed, moviegoers who felt alienated by esoteric works such as DOGVILLE and MANDERLAY should find themselves on more comfortable ground here. THE BOSS OF IT ALL is set in Denmark, and revolves around Ravn (Peter Gantzler), the unassertive founder of a popular technology company. Ravn has invented a fictional, svengali-like boss ("Svend") of the company, whom he claims is pulling the strings from America. In fact, Svend is a front that the lily-livered Ravn uses whenever he has to make an unpopular decision. But when Ravn decides to sell the company, he has to corral an unemployed actor, Kristoffer (Jens Albinus), into playing Svend, thus introducing him to a group of co-workers who all have wildly different expectations of what this shadowy figure will be like. The strength in von Trier's film lies in the subtle interplay between Gantzler and Albinus. Albinus's "Svend" gets into a mind-boggling array of tangled and complicated situations with Ravn's co-workers, and his woeful yet hilariously overwrought acting really hits some comic high points as the movie unravels. Von Trier shoots in a "mockumentary" style which is sure to draw comparisons to both the British and U.S. versions of THE OFFICE, but THE BOSS OF IT ALL is really a work that inhabits its own peculiar universe, standing as a fine testament to a director who is not afraid to confound, surprise, and even alienate his own audience. [More]
Genre: Comedies
Starring: Peter Gantzler, Jens Albinus, Fridrik Thor Fridriksson, Iben Hjejle, Henrik Prip
DVD Info
Release:
Sep 18, 2007
DVD Features:
- Widescreen
Audio:
- (unspecified) - Danish
- Subtitles - English - Optional
Buy It On DVD
Reviews
A bit of a shambles, but perhaps in its lack of von Trier's usual pretensions will lie the charm of this film for some.
Full of in-jokes for Von Trier fans and oddly shot, the quirkiness will probably be lost on those unfamiliar with the Dogme 95 man’s work.
Von Trier has evidently been watching The Office, and replicates both its soulless setting and fly-on-the-desk camera-style, not to mention the Brentian fear of being unpopular.
The script and story are what matter. They are as neat and interlocked as nail scissors. They are also grimly funny.
Von Trier may be commenting on the mechanical, dehumanised nature of corporate decision-making, or of Hollywood filmmaking. Maybe he's just being whimsical. It's always hard to tell with this joker-provocateur. And always completely fascinating.
In some ways, I enjoyed this movie more than any of his features, and yet it's sad that he has drawn in his horns so much.
Despite roguish interventions from Von Trier himself (in voiceover, and on screen), the movie has more in common with Working Girl and Trading Places than anything from Europe's leading auteur. Which, it seems, is a lucky, liberating thing.
Light, frothy and bitingly funny with a pleasingly dark underside.
Less contentious than typical Von Trier but also less satisfying; fun but perhaps too stiflingly clever to allow the comedy room to breathe.
A movie that manages to be both brilliantly witty and delightfully subversive - not least for reportedly entrusting all its cinematography to a computer.
For all the sleights of hand its director conjures up, this is an undeniably slight affair. But it’s still a sublimely entertaining one from a maverick confident enough in his abilities to make fun of his previous work and his agent provocateur persona.
Von Trier's deconstructionist streak stymies this admirable attempt at a comedy.
In the humor department, The Boss of It All elicits few belly laughs but lots of thoughtful chuckles.
Scenes are thus punctuated by as many jump cuts as punch lines--a technique that amplifies the sly humor.
the man couldn't make a simple movie if he was handed the blueprints.
More narratively modest than his recent work, The Boss of It All is something of a technological experiment.
What begins as an elaborate theater game turns into a screwball parody of sentimental comedies...
For all his talk of 'harmless' comedy, it's clear that von Trier is capable of no such thing. The beauty of The Boss of It All is that it can be viewed through a variety of prisms...
An honestly charming, witty confection, with nary a martyred female or uncomfortable money shot to be found. [Von Trier's] gotta be up to something.
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