Von Trier lays aside his recent scathing commentary on the U.S. (Dogville, Manderlay) for this hilarious, lightweight office comedy.
The Boss of it All (2007)
Tomatometer
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Reviews Counted:61
Fresh:45
Rotten:16
Average Rating:6.6/10
Consensus: Director Lars von Trier ditches the pretensions but keeps his misanthropy in The Boss of it All, a surprisingly sharp and witty comedy about office life gone haywire.
Theatrical Release:May 23, 2007 Limited
Synopsis: Controversial yet always-interesting filmmaker Lars von Trier takes a surprising turn with THE BOSS OF IT ALL. Von Trier shackles his film to a traditional narrative structure, hitting cinematic... Controversial yet always-interesting filmmaker Lars von Trier takes a surprising turn with THE BOSS OF IT ALL. Von Trier shackles his film to a traditional narrative structure, hitting cinematic heights he's been unable to reach since early efforts such as THE IDIOTS and BREAKING THE WAVES. Indeed, moviegoers who felt alienated by esoteric works such as DOGVILLE and MANDERLAY should find themselves on more comfortable ground here. THE BOSS OF IT ALL is set in Denmark, and revolves around Ravn (Peter Gantzler), the unassertive founder of a popular technology company. Ravn has invented a fictional, svengali-like boss ("Svend") of the company, whom he claims is pulling the strings from America. In fact, Svend is a front that the lily-livered Ravn uses whenever he has to make an unpopular decision. But when Ravn decides to sell the company, he has to corral an unemployed actor, Kristoffer (Jens Albinus), into playing Svend, thus introducing him to a group of co-workers who all have wildly different expectations of what this shadowy figure will be like. The strength in von Trier's film lies in the subtle interplay between Gantzler and Albinus. Albinus's "Svend" gets into a mind-boggling array of tangled and complicated situations with Ravn's co-workers, and his woeful yet hilariously overwrought acting really hits some comic high points as the movie unravels. Von Trier shoots in a "mockumentary" style which is sure to draw comparisons to both the British and U.S. versions of THE OFFICE, but THE BOSS OF IT ALL is really a work that inhabits its own peculiar universe, standing as a fine testament to a director who is not afraid to confound, surprise, and even alienate his own audience. [More]
Starring: Peter Gantzler, Jens Albinus, Fridrik Thor Fridriksson, Iben Hjejle
Starring: Peter Gantzler, Jens Albinus, Fridrik Thor Fridriksson, Iben Hjejle, Henrik Prip
Director: Lars von Trier
Director: Lars von Trier
Screenwriter: Lars von Trier
Producer: Meta Louise Foldager, Vibeke Windelov
Studio: IFC Films
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Reviews for The Boss of it All
The script and story are what matter. They are as neat and interlocked as nail scissors. They are also grimly funny.
von Trier is just too self-absorbed a filmmaker, too much "the boss of it all" to allow for anything as anarchic and joyful as a screwball comedy to bloom from this material
What begins as an elaborate theater game turns into a screwball parody of sentimental comedies...
Humorous and slight, this lightweight Danish picture has its funny moments but ultimately the absurdity of the proceedings can't keep up with the conceit.
It's more than clear what a goof this all is, and a curiously happy one at that.
More narratively modest than his recent work, The Boss of It All is something of a technological experiment.
In some ways, I enjoyed this movie more than any of his features, and yet it's sad that he has drawn in his horns so much.
The Boss of it All is indeed a comedy and often a very funny one -- at its best a bit like The Office, and at its worst like a deranged Danish version of the 1960s Carry On farces.
Who knew the man had a workplace comedy in him, let alone one this sharp?
the man couldn't make a simple movie if he was handed the blueprints.
The film works well both as a comedy of misidentity and as an allegory of the relationship between directors and actors ...
Here's hoping Lars von Trier's retirement will be brief. Cinema needs meddlesome provocateurs. An occasional stone in the shoe keeps us alert.
Such a clever premise that you can almost count the days until Hollywood tries to adapt it into a whimsical comedy vehicle for Tim Allen, Will Ferrell or the like.
For all its slightness, pic is helmer's least pretentious and most sheerly enjoyable for years, despite its very limited commercial appeal.
The Boss of It All turns out to have quite a lot to say, actually, about loyalty, the temptation of the almighty dollar, and corporate buck-passing as a kind of Olympic sport.
This satire of empty-suit capitalism has scalding moments, but most of it suggests Being There meets The Office gibberized into theater of the absurd.
Von Trier is using irrational modes of expression to comment not only on his own modus operandi as a moralist and a filmmaker but the enterprise of making movies and directing actors in them.
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