More narratively modest than his recent work, The Boss of It All is something of a technological experiment.
The Boss of it All (2007)
Tomatometer
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Reviews Counted:61
Fresh:45
Rotten:16
Average Rating:6.6/10
Consensus: Director Lars von Trier ditches the pretensions but keeps his misanthropy in The Boss of it All, a surprisingly sharp and witty comedy about office life gone haywire.
Theatrical Release:May 23, 2007 Limited
Synopsis: Controversial yet always-interesting filmmaker Lars von Trier takes a surprising turn with THE BOSS OF IT ALL. Von Trier shackles his film to a traditional narrative structure, hitting cinematic... Controversial yet always-interesting filmmaker Lars von Trier takes a surprising turn with THE BOSS OF IT ALL. Von Trier shackles his film to a traditional narrative structure, hitting cinematic heights he's been unable to reach since early efforts such as THE IDIOTS and BREAKING THE WAVES. Indeed, moviegoers who felt alienated by esoteric works such as DOGVILLE and MANDERLAY should find themselves on more comfortable ground here. THE BOSS OF IT ALL is set in Denmark, and revolves around Ravn (Peter Gantzler), the unassertive founder of a popular technology company. Ravn has invented a fictional, svengali-like boss ("Svend") of the company, whom he claims is pulling the strings from America. In fact, Svend is a front that the lily-livered Ravn uses whenever he has to make an unpopular decision. But when Ravn decides to sell the company, he has to corral an unemployed actor, Kristoffer (Jens Albinus), into playing Svend, thus introducing him to a group of co-workers who all have wildly different expectations of what this shadowy figure will be like. The strength in von Trier's film lies in the subtle interplay between Gantzler and Albinus. Albinus's "Svend" gets into a mind-boggling array of tangled and complicated situations with Ravn's co-workers, and his woeful yet hilariously overwrought acting really hits some comic high points as the movie unravels. Von Trier shoots in a "mockumentary" style which is sure to draw comparisons to both the British and U.S. versions of THE OFFICE, but THE BOSS OF IT ALL is really a work that inhabits its own peculiar universe, standing as a fine testament to a director who is not afraid to confound, surprise, and even alienate his own audience. [More]
Starring: Peter Gantzler, Jens Albinus, Fridrik Thor Fridriksson, Iben Hjejle
Starring: Peter Gantzler, Jens Albinus, Fridrik Thor Fridriksson, Iben Hjejle, Henrik Prip
Director: Lars von Trier
Director: Lars von Trier
Screenwriter: Lars von Trier
Producer: Meta Louise Foldager, Vibeke Windelov
Studio: IFC Films
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Reviews for The Boss of it All
Comedy, thy name isn't Lars von Trier. However, the abstract concept of "comedy," in Brechtian quotation marks, makes for an interesting experiment for cinema's reigning provocateur.
A movie that manages to be both brilliantly witty and delightfully subversive - not least for reportedly entrusting all its cinematography to a computer.
Who knew the man had a workplace comedy in him, let alone one this sharp?
von Trier is just too self-absorbed a filmmaker, too much "the boss of it all" to allow for anything as anarchic and joyful as a screwball comedy to bloom from this material
I'm not sure what's so amazing about "The Boss of It All" -- that Danish director Lars von Trier turns out to be such a deft comic filmmaker, or that he seems to be so palpably enjoying this rare foray into comedy.
Less contentious than typical Von Trier but also less satisfying; fun but perhaps too stiflingly clever to allow the comedy room to breathe.
Scenes are thus punctuated by as many jump cuts as punch lines--a technique that amplifies the sly humor.
Bone-dry but completely assured, both in its visual strategy and its wry deconstruction of the workplace comedy genre.
At ten minutes too long, "The Boss of It All" is Lars Von Trier poking fun at himself and the corporate veil that mystifies all those that attempt to defeat it.
Von Trier lays aside his recent scathing commentary on the U.S. (Dogville, Manderlay) for this hilarious, lightweight office comedy.
Such a clever premise that you can almost count the days until Hollywood tries to adapt it into a whimsical comedy vehicle for Tim Allen, Will Ferrell or the like.
Von Trier may be commenting on the mechanical, dehumanised nature of corporate decision-making, or of Hollywood filmmaking. Maybe he's just being whimsical. It's always hard to tell with this joker-provocateur. And always completely fascinating.
The filmmaker can't help but place himself in the middle of things -- his occasional voiceover narration is more irritating than amusing. And he's got no real sense of comic timing.
In the humor department, The Boss of It All elicits few belly laughs but lots of thoughtful chuckles.
At the beginning of his latest work, "The Boss Of It All," writer-director Lars Von Trier appears via voice-over to assure us that the film we are about to see "won't be worth a moment's reflection" and then spends the next 90-odd minutes making sure that
Von Trier's deconstructionist streak stymies this admirable attempt at a comedy.
This satire of empty-suit capitalism has scalding moments, but most of it suggests Being There meets The Office gibberized into theater of the absurd.
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