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Moliere (2007)
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Reviews Counted:84
Fresh:59
Rotten:25
Average Rating:6.5/10
Consensus: Moliere is a sophisticated, witty biopic of the great satirist.
Theatrical Release:Jul 27, 2007 Limited
Box Office: $457,677
Synopsis: 1644, Paris. 22-year-old Jean-Baptiste Poquelin, also known as Molière, is not yet the writer that history recognizes as the father & true master of comic satire, author of “the Misanthrope and... 1644, Paris. 22-year-old Jean-Baptiste Poquelin, also known as Molière, is not yet the writer that history recognizes as the father & true master of comic satire, author of “the Misanthrope and Tartuffe, and a dramatist to rank alongside Shakespeare & Sophocles. Far from it. He is in fact, a failed actor. His Illustrious Theatre Troupe, founded the previous year, is bankrupt. Hounded by creditors, Molière is thrown into jail, released, then swiftly imprisoned again. When the jailors finally let him go, he disappears. The combined efforts of historians have unearthed no trace of him before his reappearance, several months later, when his troupe begins touring the provinces - a tour that will last for thirteen years, and culminate in Molière's triumphant return to Paris in 1658. But what happened to Molière during these mysterious lost months? Molière, we discover, has been released from prison by a wealthy bourgeois, Monsieur Jourdain, who settled the young actor's debts on the understanding that he will teach him the craft of the stage. Hungry for recognition, Jourdain is infatuated with the lovely but poisonous Célimene, whose salon gathers together suitors & great wits. But the affair must remain secret, kept at all costs from Jourdain's wife, Elmire, a wonderful woman with whom Molière himself will fall headlong in love. Unfortunately for him, Jourdain has presented Molière as Monsieur Tartuffe, an austere private tutor, to justify his presence. Elmire has nothing but the harshest words for this holier-than-thou figure who has invaded her home. Trapped in this untenable situation, Molière will experience all manner of events that will open his eyes and his mind, both to life itself and to his work as an artist. It is from the heart of this tale, and from his passion for Elmire, that Molière the great dramatist is born. Boasting an extraordinary cast (Romain Duris The Beat My Heart Skipped; Ludivine Sagnier Swimming Pool, 8 Women; Laura Morante The Son's Room; Edouard Baer L'Appartement) sumptuous production values and a witty and sophisticated script in the tradition of Shakespeare In Love, director Laurent Tirard's romantic period drama reveals the tantalizing mystery behind the birth of France's greatest dramatist. --© Sony Pictures Classics [More]
Starring: Romain Duris, Fabrice Luchini, Laura Morante, Edouard Baer
Starring: Romain Duris, Fabrice Luchini, Laura Morante, Edouard Baer, Ludivine Sagnier, Fanny Valette
Director: Laurent Tirard
Director: Laurent Tirard
Screenwriter: Laurent Tirard, Gregoire Vigneron
Producer: Marc Missonnier, Olivier Delbosc
Composer: Frederic Talgorn
Studio: Sony Pictures Classics
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Reviews for Moliere
Jean-Baptiste Poquelin, better known as Molière, wrote more than 30 plays, every one of them a hundred times more witty and insightful than the movie Molière.
Moliere hardly matches the clever mockery of its 17th century inspiration.
The movie leaves initially cynical Molière believing in true love after all, the rock star undone by Hallmark.
The unraveling of this same world, 100 years later, was portrayed in Sofia Coppola's Marie Antoinette, next to whose gilded atmosphere the merely glossy Molière looks like a work of naturalism.
The Shakespeare in Love song remains the same, only the lyrics have changed.
Certainly attractive to look at, but what goes on in front of the manicured lawns and sumptuous seventeenth-century interiors is considerably less amusing than it might be.
Woefully miscast as the seminal 17th-century French farceur Molière, the intense, black-maned young French movie star Romain Duris never seems more comfortable than the brief moments when he's rotting in a dank jail.
Festooned with oodles of museum-worthy 17th century sets and costumes, Moliere is the sort of slightly naughty but literate frolic that congratulates the audience for its good taste; in other words, it's a bit of a snooze.
Connoisseurs of Sun King-era costumes and decor are the most likely fans of this impeccably produced but unimaginative pseudo-biopic...
The film illuminates little about Molière himself, but what do you expect from a movie that has the depth of a kiddie pool?
I can only wonder what theatre gods Molière angered during his lifetime to deserve such ragtag biographical treatment, but let’s hope Molière settles the debt.
A well-played but ultimately superfluous assortment of your favorite Moliere scenes strung together by a thread-thin plot that emulates, but in no way replaces, the still-sparkling originals.
In making a comedy about a writer famed for his perfectly tuned wit, the filmmakers have inspired other expectations. The result is as off-putting as biting into a confection in which the sugar has been replaced by salt.
As the film picks up momentum, however, it becomes the story of an aimless young man who discovers his own brilliant wit and learns how to use it. As he gets closer to the scathing, fearless Moliere we know and love, so does the movie.
Underplays its biggest opportunities for laughs, like the film is standing at the plate but unwilling to swing the bat.
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| Tomatometer Percentage | Movie |
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| 15% 15% | The Ugly Truth |
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|---|---|
| 36% 36% | Angels & Demons |
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