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Redbelt (2008)
Tomatometer
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Reviews Counted: 127
Fresh: 89
Rotten:38
Average Rating: 6.4/10
Consensus: Mamet's mixed marital arts morality play weaves between action and intellect but doesn't always hit its target.
Theatrical Release: May 9, 2008 Wide
Box Office: $2,278,707
Synopsis: Actor Chiwetel Ejiofor follows his turn in AMERICAN GANGSTER by taking the lead role in this thoughtful fight movie from writer/director David Mamet. Ejiofor plays Mike Terry, a man who runs his own Jiu-jitsu studio in Los Angeles.... Actor Chiwetel Ejiofor follows his turn in AMERICAN GANGSTER by taking the lead role in this thoughtful fight movie from writer/director David Mamet. Ejiofor plays Mike Terry, a man who runs his own Jiu-jitsu studio in Los Angeles. Terry's business is failing, causing tension between him and his wife, Sondra (Alice Braga). But their lives change drastically when Terry is compelled to come to the aid of an actor, Chet Frank (Tim Allen), during a bar fight. Frank befriends Terry and invites him to come and work as a consultant on a movie he is shooting. Just as Terry's fortunes seem to be changing, he finds himself caught up in a deceitful plan that has been carefully hatched by Frank's devious agent (who is played by Mamet regular Joe Mantegna). With his debts piling up, Terry decides to go against all his instincts and enter the competitive fighting world, where he stands to win a huge cash prize. But the good-natured fighter is in for a shock when he gets a close-up glimpse of the corruption that runs rife throughout the sport. REDBELT is full of the usual plot twists and fine performances that mark any Mamet movie. It's fascinating to watch the director draw on his longstanding passion for Jiu-jitsu to fill out the storyline, and Ejiofor does a convincing job as a man who draws on the discipline of the sport to stay calm during some testing times. As with many Mamet films, a series of cons are liberally sprinkled throughout the script, calling on viewers to remain alert as each strand of the storyline slowly unravels. The bulk of the movie is conversational, shying away from the action sequences that mark most fight movies, and making REDBELT an unusual and invaluable addition to the genre. [More]
Starring: Chjwetel Ejiofor, Tim Allen, Rodrigo Santoro, Emily Mortimer
Starring: Chjwetel Ejiofor, Tim Allen, Rodrigo Santoro, Emily Mortimer, Alice Braga, Joe Mantegna, Jose Pablo Cantillo, Max Martini, David Paymer, Rebecca Pidgeon, Caroline de Souza Correa, Randy Couture, Ray Mancini
Director: David Mamet
Director: David Mamet
Screenwriter: David Mamet
Studio: Sony Pictures Classics
Reviews for Redbelt
Redbelt, his latest, is a curious one, a movie that hints at greatness only to retreat, unpardonably, into genre convention.
The Mamet rhythms are pleasingly in place: the repetition-rich dialogue, the head-butting close-ups as men go ego to ego.
Exuding inner calm, Ejiofor is great. But he’s badly let down by director David Mamet, whose contrived script goes to unbelievable lengths to weaken Mike’s resolve.
Not prime, grade-A Mamet, but this meaty martial-arts movie offers heavyweight performances and a deliciously juicy set-up. Things get scrappy in the last act, but you’ll want to see how it all unravels.
David Mamet sets him on the path to righteousness in a collection of contrivances masquerading as a meaningful plot.
Emily Mortimer is impressive as a jittery, unlikable attorney whose impulsive actions trigger Mike's descent. But it's Ejiofor's film all the way.
Ejiofor remains a supremely assured, charismatic presence, though he has his work cut out here. He is pitted against a film with a black belt in pomposity and a gold medal in preening self-regard.
The discipline is remarkable. But this constipated drama, set in a blue-collar corner of Los Angeles, imparts none of the sweat-shop magic.
By no means a classic from David Mamet, Redbelt is authentic enough but fails to dazzle. The casting of Tim Allen is imaginative but too much of the film is underwhelming.
The plotting is contrived, the supporting characters two-dimensional, and the ending slides from predictable to absurd to maudlin.
Not vintage Mamet - the dialogue isn’t up to quotable snuff - but it still packs a decent punch thanks to Ejiofor’s solid performance.
Like his other films and plays, Redbelt takes place in the Mamet universe, which only sometimes resembles the world the rest of us live in.
Muscular filmmaking and a riveting central performance make this film worth seeing. Even if the plot itself becomes far too messy to really engage with us, the characters are edgy and enthralling.
Mamet's dialogue is crisp, invigorated by supporting players (particularly Mantegna and Jay) who relish his acerbic wordplay. But for a movie that aims to do for jujitsu what 'Rocky' did for boxing, 'Redbelt' taps out before the final bell.
It's not the characteristically sharp Mamet dialogue that makes Ejiofor effective so much as what he does between the lines: Moments of powerful contemplation and silence.
Although dedicated Mamet fans will recognize many of his usual familiar faces, Redbelt is anything but standard Mamet fare.
Aside from the fact that it's never a good sign when a keen interest in a particular sport dominating a movie is a must, we've seen this tale of the virtuous gladiator encircled by ruthless, greedy wolves in countless such sports movies before.
O filme conta com sua parcela de momentos inspirados, mas Mamet aposta demais em suas reviravoltas habituais sem se preocupar com a lógica da trama ou com os personagens, investindo ainda num final terrivelmente maniqueísta e artificial.
The plot is intriguing enough to keep the audience guessing until the end.
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