Actresses (Actrices) (2007)
Actress-cum-director Valeria Bruni-Tedeschi's sophomore feature, the comedy-drama Les Actrices (Le reve de la nuit d'avant), follows the trials and travails of Marcelline (Tedeschi), a tense and jittery stage thesp whose personal and professional life threaten to fall into pieces simultaneously. On a personal level, Marcelline hits the midpoint of her life, hears her biological clock ticking, and longs desperately for a child. At work, Marcelline's inability to find the core of her character, Natalia Petrovna, in a production of Turgenev's +A Month in the Country only causes her emotional tension to double. In time, she regresses into such a basket case that she can barely respond to the stage director's query about whether she is right or left-handed. Marcelline's natty and overanxious mother (Marisa Borini, Tedeschi's mother in real life) weighs heavily on her as well, pressuring her constantly about the need to find an appropriate suitor before time runs out; instead, Marcelline finds herself drawn helplessly to Eric (Louis Garrel) a sexy young actor in the production - who, without her knowledge, nurtures reciprocal affections. This parallels the events that befall Petrovna in Turgenev's play, and indeed, at one point the spirit of Petrovna (Valeria Golino) appears to Marcelline for much-needed counsel. Meanwhile, as Marcelline weathers her own personal crises, one of her friends, Nathalie (Noemie Lvovsky) - the assistant to the play's director - struggles with her offstage lack of fulfillment as a wife and mother. … More
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Critic Reviews for Actresses (Actrices)
The mix of the endless rehearsals, Marcelline's lack of grip both personally and professionally and her surreal imaginings make for an uneven film.
Valeria Bruni Tedeschi does a terrific job with her portrayal of an actress who has trouble unraveling her life from her performance, but the setting she gives this gem doesn't show it off in its best light.
there is what we can call the House of Sand and Fog problem: this woman is way too attractive to be in this desperate a situation
Set in the bourgeois and vaguely intellectual Parisian bubble of Bruni Tedeschi's alter ego, it veers more towards comedy as the film progresses, earning good-hearted laughs as well as, well, whatever one may feel towards this particular milieu.
Audience Reviews for Actresses (Actrices)
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