It's hard to imagine anyone other than Christopher Plummer taking on the role of Flash Madden.
Man in the Chair (2007)
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Reviews Counted: 32
Fresh: 16
Rotten:16
Average Rating: 5.3/10
Consensus: A committed performance from Christopher Plummer can't save Man in the Chair's troubled and cliched script.
Rated: PG-13 [See Full Rating] for language and thematic elements
Runtime: 1 hr 47 mins
Genre: Dramas
Theatrical Release: Dec 7, 2007 Limited
Synopsis: MAN IN THE CHAIR stars Christopher Plummer (A BEAUTIFUL MIND, THE SOUND OF MUSIC) as weathered curmudgeon Flash Madden. The former film gaffer is embittered about Hollywood's current regime that perpetuates a throwaway society by... MAN IN THE CHAIR stars Christopher Plummer (A BEAUTIFUL MIND, THE SOUND OF MUSIC) as weathered curmudgeon Flash Madden. The former film gaffer is embittered about Hollywood's current regime that perpetuates a throwaway society by neglecting and forgetting the crews and creators that helped crank out some of the most significant films in cinematic history. He catches the attention of high school delinquent Cameron (Michael Angarano, WILL & GRACE), who tries to convince Flash to mentor him in a filmmaking competition--the only thing that motivates Cameron to stay out of trouble. Impressed by Cameron's persistence, Flash obliges and recruits his fellow crew member friends who live with him at the Motion Picture retirement home to help out as well, celebrating their production specialties that have been dormant for decades. While filming, the crew hits their share of ups and downs, but they become invigorated by their work. Cameron and Flash develop an intense bond and understanding for each other's position in life, as they see the value of both youth and wisdom. The recipient of several film festival awards, MAN IN THE CHAIR is a unique feel-good film, intent on inspiring without glossing over the sadness and struggles of the characters. Although Plummer and Angarano are the clear leads, heart-wrenching supporting performances by character actors M. Emmet Walsh (CHRISTMAS WITH THE KRANKS, MY BEST FRIEND'S WEDDING) as down-and-out screenwriter Mickey, and Margaret Blye (LAST GOODBYE) as a frisky aging starlet add just the right amount of seriousness and insight the film needs to get its poignant message across. [More]
Starring: Christopher Plummer, Michael Angarano, M. Emmet Walsh, Robert Wagner
Starring: Christopher Plummer, Michael Angarano, M. Emmet Walsh, Robert Wagner, Tracey Walter, Joshua Boyd, Mimi Kennedy, Mitch Pileggi, Taber Schroeder
Director: Michael Schroeder
Director: Michael Schroeder
Screenwriter: Michael Schroeder
Producer: Michael Schroeder, Randy Turrow, Sarah Schroeder
Composer: Laura Karpman
Studio: Outsider Pictures
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Reviews for Man in the Chair
By the end it's lost any edge and is as soft and unappealing as a geriatric incontinence pad.
Ambitious, heartfelt but, Plummer's excellent performance aside, dramatically lightweight and unconvincing.
A fair-to-middling contemporary fantasy drama that, despite its surfeit of flashy effects, is mildly charming in the way it addresses the injustice of old folk having to live out their final years in decrepit homes.
Watchable drama with a strong performance from Christopher Plummer, though the script often feels simplistic and can't quite manage the emotional punch the story deserves.
This attempt to make a film is about a guy who is attempting to make a film.
Man In The Chair feels a bit like a high school movie project, which is appropriate since that's exactly what it's about.
By salvaging a troubled script with deep, committed, touching portrayals, Plummer and Walsh help prove Schroeder's points about how Hollywood isn't just the province of the rich, young and pretty.
The movie works so hard at juggling its clichés that it fails to generate interest in its story.
Though they can't transcend writer-director Michael Schroeder's pointed contrivances, the actors tap into something achingly true in this valentine to Hollywood's below-the-line crafts people and society's castoffs.
Overdirected and underwritten, this litany of Hallmark Channel tropes and button-pushing sentiment uses Tinseltown treacle to gussy up an otherwise forgettable message movie about humane treatment for the elderly.
A film that probably never wouldn't have seen the light of a projector if it wasn't for some kind of "Let's get Actor X that long-deserved Oscar" grab.
Schroeder's heart is in the right place, but his cinematic taste is unfortunately elsewhere.
With its flashy, music-video style edits, rock-scored montages and septuagenarian cast, it’s hard to say who, exactly, is the right audience for this unusual comedic drama from director Michael Schroeder.
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