Without Rivette's usual daring or playfulness, but still a highly accomplished entry in the lazy, stagnant "costume movie" genre.
The Duchess of Langeais (2008)
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Reviews Counted:61
Fresh:41
Rotten:20
Average Rating:6.4/10
Consensus: At times plodding and dialogue heavy, The Duchess of Langeais is nevertheless an intriguing and rewarding dissection of class and gender relations.
Theatrical Release:Feb 22, 2008 Limited
Synopsis: Jacques Rivette (VA SAVOIR) directs this masterful adaptation of Honoré de Balzac's novel about a game of hearts between General Armand de Montriveau (Guillaume Depardieu), a protégé of Bonaparte... Jacques Rivette (VA SAVOIR) directs this masterful adaptation of Honoré de Balzac's novel about a game of hearts between General Armand de Montriveau (Guillaume Depardieu), a protégé of Bonaparte in Restoration-era France, and Antoinette (Jeanne Balibar), the married but flirtatious Duchess of Langeais. They meet at a ball where Armand--intense, morose, and lacking the embroidered manner of the aristocracy--is currently en vogue following a military campaign. The two become frequent companions. But it is unclear whether the Duchess wants a lover or a lapdog, leading to romantic frustrations for Armand who cannot live, like his compatriots, with Parisian society's unspoken and tacitly accepted hypocrisies. As a sentimental war rages between them--with Antoinette stoking the fires of passion and Armand unexpectedly turning the tables on his lover--the film raises provocative questions about the true sources of desire. Taking place in parlors that echo with chatter and creaking floorboards, THE DUCHESS OF LANGEAIS offers a restrained and realistic evocation of the 1820s. Composed of graceful widescreen compositions that decline to comment on the action, and interspersed excerpts from the novel that take the viewer out of it, the film's emotional reserve matches its story and heightens its fraught romance. In his role as a man tortured by his obsession, and all too willing to wound himself in its pursuit, Depardieu is mesmerizing. Though clocking in at over two hours, Rivette's film is an engrossing slow burn that crackles to a climax that is as inevitable as it is devastating. [More]
Starring: Jeanne Balibar, Guillaume Depardieu, Bulle Ogier, Michel Piccoli
Starring: Jeanne Balibar, Guillaume Depardieu, Bulle Ogier, Michel Piccoli, Barbet Schroeder, Anne Cantineau, Marc Barbe, Thomas Durand, Nicolas Bouchaud
Director: Jacques Rivette
Director: Jacques Rivette
Screenwriter: Pascal Bonitzer, Christine Laurent
Producer: Pierre Grise Productions
Composer: Pierre Allio
Studio: IFC Films
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Reviews for The Duchess of Langeais
The whole thing is compelling from start to finish; ‘cruel ironies’ doesn’t even begin to describe it.
Handsomely produced and featuring fine performances, the film will travel well to festivals and art houses where audiences respond to classy period pieces with a modern sensibility.
This old-fashioned, dialogue-driven two-hander is a very long sit for anyone not already under Rivette's spell.
Patience, waiting, frustration, bad timing, lost opportunities - it takes a certain directorial boldness to highlight these as the principal themes of what is essentially a claustrophobic two-hander whose duration extends to nearly two and a half hours.
Both Jeanne Balibar and Guillaume Depardieu are quite compelling in their roles, and after about an hour, you fall into this film as completely as you'd fall into a book.
How a proficient practitioner of seduction tries to ensnare a Napoleonic general in her web of coquettishness in 1820s Paris.
The film's a minuet fetishistically repeated until either the audience or the lovers go crazy. I'd say it was a tie.
so completely ousts love and romance as a mere act that you expect curtains to sweep in at the end.
Balibar's sly mouth tightens with mean glee as she plays all the Duchesses' games, and Depardieu's brooding, battered face ceaselessly signals the General's suppressed, sexualized violence.
Terrific performances by the two leads make this a far more rewarding film than the rigorous formality might suggest.
The Duchess of Langeais benefits from many New Wave innovations -- long, fluid takes and loosely organized improvisational scenes. Still, it feels like a curiously static entertainment.
The Duchess of Langeais is a stately costume drama of wrenching passions expressed in courtly phrases.
The film is a piercing pas de deux that excoriates romance even as its doomed characters are consumed by it.
Jacques Rivette’s Duchess of Langeais seems to me a nearly impeccable work of art -- beautiful, true, profound.
Balibar delivers a supremely arch portrayal of a woman whose every gesture and expression seem calculated for effect.
In Jacques Rivette’s remarkable The Duchess of Langeais, romantic devotion becomes a perverse kind of warfare, in which a lover who admits that he’s in love loses the campaign.
The everyday moviegoer will find it as impenetrable as its heroine. But if you vibrate to nuances of style, if you enjoy tension gathering strength beneath terrible restraint, if you admire great acting, then you will.
Latest News for The Duchess of Langeais
February 21, 2008:
Critics Consensus: Cruel to Be Kind, Vantage Has Little Point, Guess Witless Protection's Tomatometer!
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December 14, 2007:
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