Stands with some of the best efforts of Rivette's long career.
The Duchess of Langeais (2008)
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Reviews Counted:61
Fresh:41
Rotten:20
Average Rating:6.4/10
Consensus: At times plodding and dialogue heavy, The Duchess of Langeais is nevertheless an intriguing and rewarding dissection of class and gender relations.
Theatrical Release:Feb 22, 2008 Limited
Synopsis: Jacques Rivette (VA SAVOIR) directs this masterful adaptation of Honoré de Balzac's novel about a game of hearts between General Armand de Montriveau (Guillaume Depardieu), a protégé of Bonaparte... Jacques Rivette (VA SAVOIR) directs this masterful adaptation of Honoré de Balzac's novel about a game of hearts between General Armand de Montriveau (Guillaume Depardieu), a protégé of Bonaparte in Restoration-era France, and Antoinette (Jeanne Balibar), the married but flirtatious Duchess of Langeais. They meet at a ball where Armand--intense, morose, and lacking the embroidered manner of the aristocracy--is currently en vogue following a military campaign. The two become frequent companions. But it is unclear whether the Duchess wants a lover or a lapdog, leading to romantic frustrations for Armand who cannot live, like his compatriots, with Parisian society's unspoken and tacitly accepted hypocrisies. As a sentimental war rages between them--with Antoinette stoking the fires of passion and Armand unexpectedly turning the tables on his lover--the film raises provocative questions about the true sources of desire. Taking place in parlors that echo with chatter and creaking floorboards, THE DUCHESS OF LANGEAIS offers a restrained and realistic evocation of the 1820s. Composed of graceful widescreen compositions that decline to comment on the action, and interspersed excerpts from the novel that take the viewer out of it, the film's emotional reserve matches its story and heightens its fraught romance. In his role as a man tortured by his obsession, and all too willing to wound himself in its pursuit, Depardieu is mesmerizing. Though clocking in at over two hours, Rivette's film is an engrossing slow burn that crackles to a climax that is as inevitable as it is devastating. [More]
Starring: Jeanne Balibar, Guillaume Depardieu, Bulle Ogier, Michel Piccoli
Starring: Jeanne Balibar, Guillaume Depardieu, Bulle Ogier, Michel Piccoli, Barbet Schroeder, Anne Cantineau, Marc Barbe, Thomas Durand, Nicolas Bouchaud
Director: Jacques Rivette
Director: Jacques Rivette
Screenwriter: Pascal Bonitzer, Christine Laurent
Producer: Pierre Grise Productions
Composer: Pierre Allio
Studio: IFC Films
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Reviews for The Duchess of Langeais
No lavish costume drama, it's instead a theatrical dissection of the spiteful games lovers play.
The film's a minuet fetishistically repeated until either the audience or the lovers go crazy. I'd say it was a tie.
Jacques Rivette, one of France’s most original filmmakers, stumbles with his latest film from a novella by Honore de Balzac, a period drama set in mid-19th-century France and Italy that is stopped dead by the one-note performance of Guillaume Depardieu.
A rewarding and cleverly constructed experiment - but not one that is easy to enjoy or warm to. All will agree that it's a fine thing that Rivette should still be pushing the boundaries, few will actually want to watch him doing it.
It's charged with nuance yet ultimately an exercise in compressed literary adaptation.
The everyday moviegoer will find it as impenetrable as its heroine. But if you vibrate to nuances of style, if you enjoy tension gathering strength beneath terrible restraint, if you admire great acting, then you will.
The director guides the viewer through a sly consideration of near-sociopathic not-quite-lovers, one of whom finds refuge in religion, the other in romantic obsession.
Demonstrando uma quase reveręncia ŕs origens de seu projeto, Rivette cria um roteiro que retém a natureza literária da narrativa.
Without Rivette's usual daring or playfulness, but still a highly accomplished entry in the lazy, stagnant "costume movie" genre.
Scenes move ahead in a plodding manner. Since the film's hero is supposed to be a man without charisma, he cannot rivet an audience.
Rivette tells the story at a length any other filmmaker would have halved.
In a tale of passion, don’t we want passion? Instead of Rivette’s painterly pose-striking tableaux, would we not like some madness and modernism?
Of course, it would also help if we could understand what's supposed to be so alluring about the title character, Antoinette de Langeais.
The gorgeous floorboards creak -- loudly -- in the veteran French director Jacques Rivette's fascinating drawing-room war of the sexes, The Duchess of Langeais.
It may sound like silly wordplay, but this film is nothing short of rivetting.
Latest News for The Duchess of Langeais
February 21, 2008:
Critics Consensus: Cruel to Be Kind, Vantage Has Little Point, Guess Witless Protection's Tomatometer!
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December 14, 2007:
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